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Downloaded from
YTS.BZ

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Official YIFY movies site:
YTS.BZ

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♪ BECAUSE I WOULD NOT

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♪ BREAK A VOW

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♪ I MADE UNTO MY DEAR

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♪ 'TWAS FROM THE MONARCH

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♪ OF ABERDEEN

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♪ THAT DWELT THE WINGED SAINT

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MORNING, MA'AM.

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HMM.

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LOU, TAKE CARE

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OF THINGS HERE.

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I'M GOING OVER TO FERGUS'.

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GET OUT OF HERE, YOU MUTT.

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GO ON, GIT!

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[ DOG CONTINUES BARKING,

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OH, MY.

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WHAT?

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I TOLD YOU TO WATCH THINGS.

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HOLD ON, LADIES.

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WHOA, WHOA.

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EASY, NOW, WHOA,

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WHOA, WHOA.

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ARE YOU LADIES ALL RIGHT?

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WHOA, WHOA.

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NEVER LEAVE MY COACHES

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UNATTENDED.

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I JUST TURNED MY BACK FOR

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A MOMENT, SIR.

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THAT ONE MOMENT ALMOST

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GOT MY PASSENGERS KILLED.

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YES, SIR.

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I'M VERY SORRY, SIR.

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SEE TO IT THAT THEY GET

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FULLY REFUNDED WHEN THEY

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GET TO WINDSOR.

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YES, SIR, MR. MINK.

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WHOA-HO.

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EMMA?

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EMMA, DEAR, I'M READY TO START

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THE RAREBIT.

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MISS ELIZABETH, WHY DO YOU

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KEEP ME ON IF YOU'RE JUST GONNA

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DO THE COOKING YOURSELF?

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STILL CAN'T KEEP HER FROM

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GETTING UNDERFOOT, EH, EMMA?

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MARY.

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MARY, MARY.

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OH, IT'S GOOD TO HAVE

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YOU HOME.

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AND SO ALICIA DIDN'T RETURN

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AFTER THE TERM?

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NO.

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AND WHAT ABOUT YOUR FRIEND

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VICTORIA?

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DID SHE LEAVE SCHOOL AS WELL?

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YES, AND SO SUDDENLY.

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ONE DAY WE'RE READING IN THE

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LIBRARY, THE NEXT, SHE'S BEING

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WHISKED OFF TO MARRY SOME

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BANKER IN SUDBURY.

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BANKER?

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WELL, HER FATHER MUST HAVE

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OFFERED QUITE A DOWRY.

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HOW SPLENDID FOR HER.

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OH, HOW AWFUL, YOU MEAN.

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WHY?

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WELL, MOTHER, THERE'S JUST

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SO MUCH TO DO WITH YOUR LIFE

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BEFORE YOU MARRY.

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OH. WELL, NOW TELL ME ALL

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ABOUT YOUR STUDIES.

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OH, TRES BIEN, MOTHER.

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I DID WELL IN HISTORY,

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SCIENCE, AND THE LANGUAGES,

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BUT IN LITERATURE,

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TOP OF MY CLASS.

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OH.

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THAT'S WHAT I HOPE TO TEACH

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SOMEDAY, MOTHER.

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TEACH?

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YES, THE HEADMISTRESS TOLD

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ME OF A NEW TEACHER TRAINING

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COLLEGE IN QUEBEC THAT

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ACCEPTS WOMEN.

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WELL, WE'LL HAVE TO SEE WHAT

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YOUR FATHER HAS TO SAY.

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BUT I'M SURE HE'LL BE VERY

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PROUD OF YOUR HIGH MARKS.

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VERY PROUD, INDEED.

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OH, DADDY!

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ONCE BECAUSE I MISSED YOU,

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TWICE BECAUSE I LOVE YOU,

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AND THREE TIMES BECAUSE

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I ALWAYS WILL.

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WELCOME HOME.

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OH, DADDY, THANK YOU.

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OH, WHAT'S ALL OF THIS?

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THE POEMS OF BYRON?

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I'VE FALLEN IN LOVE

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WITH POETRY.

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OH, AND NOT JUST BYRON,

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THERE'S KEATS AND WORDSWORTH,

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SO MANY I CAN'T REMEMBER.

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SOMEDAY I WANT TO FILL

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THE HEADS OF CHILDREN WITH

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ALL THEIR WORDS.

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SWEET MARY, ALWAYS

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THE DREAMER, HUH?

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HEH HEH.

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BUT, JAMES, HOW CAN IT HURT?

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SHE'S 17.

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MOST GIRLS HER AGE ARE

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ALREADY SPOKEN FOR.

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BUT, JAMES, SHE HAS HER

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HEART SET ON THIS.

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ELIZABETH, SHE HAS A BLACK

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FATHER AND A WHITE MOTHER.

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NOT ONE YOUNG MAN HAS COME

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TO ASK FOR HER HAND.

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NOW, WE MUST FIND SOMEONE

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WHO CAN LOOK PAST

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HER LIABILITIES.

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OH, JAMES, HOW CAN YOU TALK

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ABOUT HER THAT WAY?

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LOOK, I KNOW SHE LOOKS

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PERFECT TO US, BUT NOT

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EVERYONE SEES HER THAT WAY.

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AND WE MUST BE REALISTIC.

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WE MUST FIND SOME WAY TO

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OVERCOME IT.

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NOW, YOU KNOW I'M RIGHT.

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WHAT SEEMS TO BE

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THE PROBLEM?

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IT'S JUST THE NEWSPAPER

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NEVER RUNS ANYTHING

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QUITE LIKE THIS.

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YOU DO RUN MATRIMONIALS,

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DON'T YOU?

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OH, OF COURSE.

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IT'S JUST THAT I'VE NEVER SEEN

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SOMEONE OFFER SO BIG

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A DOWRY BEFORE.

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IT'S A FORTUNE.

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WELL, COULD YOU SEE THAT

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IT RUNS AS SOON AS POSSIBLE?

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AND MAKE SURE THAT IT GETS

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A PROMINENT SPACE.

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"RESPECTABLE WHITE HUSBAND

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WANTED FOR YOUNG COLORED

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GIRL, $10,000 DOWRY"?

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HOW DARE YOU?

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WHAT AM I TO YOU, FATHER, JUST

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ANOTHER PIECE OF PROPERTY?

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NOW, MARY, YOU KNOW

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THAT'S NOT TRUE.

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THEN WHY ARE YOU DOING

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THIS TO ME?

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WHAT ABOUT COLLEGE?

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WHAT ABOUT MY PLANS?

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I WANT MORE FROM MY LIFE THAN...

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I KNOW YOU DO.

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BUT IT'S YOUR FUTURE I MUST

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LOOK OUT FOR, BECAUSE A YOUNG

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WOMAN CANNOT FEND FOR

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HERSELF IN THIS WORLD TODAY.

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IT'S TOO HARD.

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THOSE DREAMS OF YOURS ARE

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MUCH TOO IMPRACTICAL.

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I WON'T ACCEPT THIS.

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DO YOU HEAR ME?

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I WILL NOT ACCEPT THIS.

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IT IS NOT YOUR DECISION.

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I'll SPEAK TO HER.

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MARY WILL BE FINE.

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SHE JUST NEEDS TO GET USED

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TO IT, THAT'S ALL.

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SHE'S SO YOUNG, JAMES.

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OH, SO WAS THE YOUNG GIRL

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I SENT FOR 23 YEARS AGO.

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MARY'S NOT THAT GIRL.

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GROWING UP POOR IN IRELAND,

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CROSSING AN OCEAN BY MYSELF,

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IS A FAR CRY FROM THE

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SHELTERED LIFE SHE'S HAD.

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SHE'S NO MORE SHELTERED

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THAN HER SCHOOLMATES, MOST

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OF WHOM ARE PREPARING FOR

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THEIR WEDDINGS.

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SHE MAY NOT BE READY

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FOR MARRIAGE, JAMES.

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IS IT MARY WHO'S NOT READY,

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OR HER MOTHER?

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OH.

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DO YOU KNOW WHAT I WOULD

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WANT FOR MARY?

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I WOULD WANT FOR HER TO

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MARRY INTO A FAMILY THAT

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WOULD ACCEPT HER FOR

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THE BEAUTIFUL GIRL THAT SHE IS.

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AND THAT'S NOT ALL.

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I WOULD WANT HER TO KNOW

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THE HAPPINESS THAT WE'VE HAD.

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AND I WOULD WANT HER

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TO KNOW THIS.

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GOOD MORNING, MR. TODD.

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I HAVE SEEN OVER TWO DOZEN

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SUITORS, ELIZABETH.

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HALF OF THEM ARE

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NE'ER-DO-WELL FORTUNE

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HUNTERS, DOWN ON THEIR LUCK,

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AND THE OTHER HALF ARE SPOILED

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ARISTOCRATS, WITH NO MORE

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BUSINESS SENSE THAN ONE

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OF MY HORSES.

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PERHAPS GOD'S TRYING TO

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TELL YOU SOMETHING, JAMES.

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YES, WELL, GOD HAS

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THE LUXURY OF ETERNITY,

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AND WE DON'T, AND I REFUSE TO

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SETTLE FOR ANY RIFF-RAFF.

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I MIGHT AS WELL GIVE MARY

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TO ONE OF THOSE POOR SLAVES

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COMING INTO CANADA, CLAMORING

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FOR HIS FREEDOM.

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YOUR FATHER WAS ONE OF

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THOSE SLAVES, WASN'T HE, JAMES?

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NOW, YOU KNOW THAT IS NOT

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WHAT I MEAN.

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I DON'T THINK YOU'RE GOING

231
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TO FIND THE MAN YOU'RE

232
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LOOKING FOR.

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WHY IS THAT?

234
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BECAUSE THERE IS ONLY

235
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JAMES MINK, AND HE'S ALREADY

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SPOKEN FOR.

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HEH HEH HEH, SUCH BLARNEY.

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NOW, MINK, HAVE YOU GIVEN

239
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ANY THOUGHT TO OUR OFFER?

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MY BUSINESS FRIENDS ARE

241
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ANXIOUS FOR YOUR DECISION

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ON THIS CITY COUNCIL MATTER.

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NOW, WE FEEL YOU'RE THE KIND

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OF CANDIDATE TORONTO NEEDS

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RIGHT NOW.

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REALLY?

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WHY IS THAT, MR. CARBERRY?

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WELL, A MAN WHO STARTS OUT

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WITH A HORSE AND BUGGY

250
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AND BUILDS IT INTO ONE OF

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THE CITY'S MOST PROFITABLE

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BUSINESSES KNOWS WHAT IT

253
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MEANS TO WORK HARD.

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THIS HOTEL, LIVERY OPERATION...

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YOUR FORTUNE HAS COME BY

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SWEAT, NOT BY BIRTHRIGHT.

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WELL, SURELY THERE ARE

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OTHER MEN THAT ARE MORE

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ACCOMPLISHED THAN MYSELF.

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NONE OF THEM POSSESS YOUR,

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UH, SHALL WE SAY, UNIQUE

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QUALIFICATIONS?

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LET'S BE HONEST,

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MR. CARBERRY.

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YOU AND YOUR BUSINESS

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FRIENDS, YOU OWN FACTORIES

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THAT ARE IN DESPERATE NEED

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OF CHEAP LABOR.

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MEANWHILE, THERE ARE

270
00:11:18,634 --> 00:11:19,853
HUNDREDS OF PITIFUL FUGITIVE

271
00:11:20,027 --> 00:11:23,247
SLAVES POURING INTO CANADA.

272
00:11:23,421 --> 00:11:24,422
WHAT BETTER WAY TO ENTICE

273
00:11:24,596 --> 00:11:25,946
THEM INTO YOUR SWEAT SHOPS

274
00:11:26,120 --> 00:11:27,948
THAN BY USING ME, THE SON OF

275
00:11:28,122 --> 00:11:30,515
A FREED SLAVE, AS A SYMBOL OF

276
00:11:30,690 --> 00:11:32,343
WHAT HARD WORK CAN ACCOMPLISH?

277
00:11:32,517 --> 00:11:33,997
WHAT YOU WANT IS A TOKEN.

278
00:11:34,171 --> 00:11:35,564
OH, COME, NOW, MINK.

279
00:11:35,738 --> 00:11:36,565
CLEARLY, YOU'VE MISINTERPRETED

280
00:11:36,739 --> 00:11:37,914
OUR INTEREST.

281
00:11:38,088 --> 00:11:39,176
I WILL BE YOUR SYMBOL,

282
00:11:39,350 --> 00:11:40,482
MR. CARBERRY.

283
00:11:43,137 --> 00:11:44,137
BUT I WILL NEED SOMETHING

284
00:11:44,268 --> 00:11:44,965
IN RETURN.

285
00:11:45,139 --> 00:11:46,444
GO ON.

286
00:11:46,618 --> 00:11:47,618
YOUR COUNCIL HAS A GREAT

287
00:11:47,707 --> 00:11:48,771
DEAL OF INFLUENCE IN WHO, UH,

288
00:11:48,795 --> 00:11:49,915
GETS THE ROYAL MAIL CONTRACT

289
00:11:50,057 --> 00:11:51,841
FROM KINGSTON TO TORONTO.

290
00:11:52,015 --> 00:11:53,625
AS YOU KNOW, I SUBMITTED

291
00:11:53,800 --> 00:11:55,192
A BID MYSELF.

292
00:11:55,366 --> 00:11:56,454
YOU ARE QUITE

293
00:11:56,628 --> 00:11:58,456
THE NEGOTIATOR, MINK.

294
00:11:58,630 --> 00:11:59,762
WELL, LET'S JUST SAY ITS,

295
00:11:59,936 --> 00:12:01,590
UH, ONE OF MY UNIQUE

296
00:12:01,764 --> 00:12:04,114
QUALIFICATIONS, EH?

297
00:12:05,768 --> 00:12:06,768
DO I HEAR 75?

298
00:12:07,857 --> 00:12:09,293
75, I HAVE 75.

299
00:12:09,467 --> 00:12:12,470
75 ONCE, 75 TWICE.

300
00:12:13,820 --> 00:12:14,646
SOLD TO MR. ROSS

301
00:12:14,821 --> 00:12:15,952
OF BROWN FARMS.

302
00:12:16,126 --> 00:12:17,127
HE'S A FINE HORSE.

303
00:12:17,301 --> 00:12:17,867
BUT I WOULDN'T PUT HIM

304
00:12:18,041 --> 00:12:19,041
OUT TO STUD.

305
00:12:21,915 --> 00:12:24,569
SEE HERE?

306
00:12:24,744 --> 00:12:27,094
FERRET MOUTH.

307
00:12:27,268 --> 00:12:29,052
HIS FOALS WILL BE TROUBLE.

308
00:12:29,226 --> 00:12:30,271
OH, IT'S NOT HIS FOALS I'M

309
00:12:30,445 --> 00:12:31,272
INTERESTED IN, IT'S HIS SPEED.

310
00:12:31,446 --> 00:12:32,534
OH, THEN YOU'VE FOUND

311
00:12:32,708 --> 00:12:33,729
YOURSELF AN ADEQUATE HORSE,

312
00:12:33,753 --> 00:12:34,492
BUT CLEARLY, YOUR STANDARDS

313
00:12:34,666 --> 00:12:35,276
ARE LOWER THAN MINE.

314
00:12:35,450 --> 00:12:36,450
OH, REALLY?

315
00:12:36,581 --> 00:12:37,321
WELL, THEN, UH, SUPPOSE

316
00:12:37,495 --> 00:12:39,062
YOU ENLIGHTEN ME.

317
00:12:39,236 --> 00:12:40,324
A MAGNIFICENT ANIMAL.

318
00:12:40,498 --> 00:12:41,498
LET'S JUST SAY SHE'S LIKE

319
00:12:41,543 --> 00:12:42,326
THE FIRST TASTE OF A VERY

320
00:12:42,500 --> 00:12:44,285
EXQUISITE CHAMPAGNE.

321
00:12:44,459 --> 00:12:45,539
MY NAME IS WILLIAM JOHNSON.

322
00:12:45,634 --> 00:12:46,678
I'M FROM NEW YORK, AND I

323
00:12:46,853 --> 00:12:47,853
REPRESENT A CARTEL

324
00:12:47,897 --> 00:12:48,897
IN THE MIDDLE EAST.

325
00:12:49,029 --> 00:12:49,725
WE'RE BRINGING THESE ARABIANS

326
00:12:49,899 --> 00:12:50,899
INTO THE PROVINCE.

327
00:12:50,944 --> 00:12:51,771
NOW, IF I HAVE ANYTHING TO

328
00:12:51,945 --> 00:12:52,772
SAY ABOUT IT, TWO YEARS

329
00:12:52,946 --> 00:12:53,946
FROM NOW, THERE WON'T BE

330
00:12:54,034 --> 00:12:54,774
A GENTLEMAN IN ALL OF UPPER

331
00:12:54,948 --> 00:12:55,948
CANADA WITHOUT ONE.

332
00:12:55,992 --> 00:12:56,992
IS SHE UP FOR AUCTION?

333
00:12:57,124 --> 00:12:57,864
THAT WOULD BE LIKE CASTING

334
00:12:58,038 --> 00:12:58,865
PEARLS BEFORE SWINE,

335
00:12:59,039 --> 00:13:00,823
WOULDN'T YOU SAY, SIR?

336
00:13:00,997 --> 00:13:02,018
I WON'T HAVE THESE BEAUTIES

337
00:13:02,042 --> 00:13:03,130
CROSS-BRED INTO OBLIVION.

338
00:13:03,304 --> 00:13:04,044
I'M GOING TO BE VERY SELECTIVE

339
00:13:04,218 --> 00:13:05,218
ABOUT WHO I SELL TO.

340
00:13:05,306 --> 00:13:07,438
IS SHE FAST?

341
00:13:12,530 --> 00:13:14,794
HYAH!

342
00:13:22,018 --> 00:13:23,280
HORSES ARE MY LIVELIHOOD,

343
00:13:23,454 --> 00:13:24,238
AND I'VE NEVER RIDDEN ANYTHING

344
00:13:24,412 --> 00:13:25,413
QUITE LIKE HER BEFORE.

345
00:13:25,587 --> 00:13:26,849
DO WE HAVE A SALE, THEN?

346
00:13:27,023 --> 00:13:28,023
WELL, I'M NOT SURE YOU'VE

347
00:13:28,068 --> 00:13:29,068
GIVEN ME YOUR BEST PRICE.

348
00:13:29,156 --> 00:13:29,983
PERHAPS WE SHOULD DISCUSS IT

349
00:13:30,157 --> 00:13:31,158
AT DINNER THIS EVENING.

350
00:13:31,332 --> 00:13:31,985
THAT IS, IF YOU HAVEN'T MADE

351
00:13:32,159 --> 00:13:33,290
ANY OTHER PLANS.

352
00:13:33,464 --> 00:13:34,030
I THINK I CAN REARRANGE

353
00:13:34,204 --> 00:13:34,726
MY SCHEDULE.

354
00:13:34,901 --> 00:13:35,901
GOOD.

355
00:13:37,947 --> 00:13:39,340
TELL ME, MR. JOHNSON,

356
00:13:39,514 --> 00:13:41,211
WHEN SHALL I EXPECT DELIVERY?

357
00:13:41,385 --> 00:13:42,425
WELL, THE DEMAND FOR THESE

358
00:13:42,473 --> 00:13:43,581
HORSES IS VERY HIGH, AND THE

359
00:13:43,605 --> 00:13:44,214
BOAT OUT OF AFRICA IS

360
00:13:44,388 --> 00:13:45,955
VERY SLOW.

361
00:13:46,129 --> 00:13:46,826
SO I CAN'T GUARANTEE THEM

362
00:13:47,000 --> 00:13:48,000
TILL LATE SUMMER.

363
00:13:48,088 --> 00:13:49,263
BUT THEY ARE WORTH WAITING

364
00:13:49,437 --> 00:13:50,917
FOR, AREN'T THEY, MR. MINK?

365
00:13:51,091 --> 00:13:52,091
I HAVE A FEELING YOU'RE

366
00:13:52,179 --> 00:13:52,744
GOING TO BE A VERY RICH MAN,

367
00:13:52,919 --> 00:13:53,963
MR. JOHNSON.

368
00:13:54,137 --> 00:13:55,660
YES.

369
00:13:57,880 --> 00:13:58,881
BUT ALL THE SUCCESS IN

370
00:13:59,055 --> 00:14:00,119
THE WORLD WON'T MAKE UP FOR

371
00:14:00,143 --> 00:14:01,223
MY BEING SUCH A RUDE GUEST.

372
00:14:01,275 --> 00:14:02,355
MRS. MINK, MY APOLOGIES FOR

373
00:14:02,450 --> 00:14:03,490
TURNING YOUR LOVELY DINNER

374
00:14:03,581 --> 00:14:04,844
INTO A HORSE AUCTION.

375
00:14:05,018 --> 00:14:06,193
I SEEM TO HAVE FORGOTTEN

376
00:14:06,367 --> 00:14:07,387
HOW TO BEHAVE IN THE COMPANY

377
00:14:07,411 --> 00:14:08,935
OF SUCH A CHARMING HOSTESS

378
00:14:09,109 --> 00:14:10,414
AND HER LOVELY DAUGHTER.

379
00:14:10,588 --> 00:14:13,113
MARY?

380
00:14:13,287 --> 00:14:14,549
PLEASE DON'T APOLOGIZE,

381
00:14:14,723 --> 00:14:15,898
MR. JOHNSON.

382
00:14:16,072 --> 00:14:17,072
I'VE BEEN MARRIED TO

383
00:14:17,160 --> 00:14:19,032
A HORSEMAN FOR 23 YEARS.

384
00:14:19,206 --> 00:14:20,206
I UNDERSTAND YOU'RE

385
00:14:20,250 --> 00:14:21,382
AN AMERICAN.

386
00:14:21,556 --> 00:14:23,863
YES, MA'AM, BUT GIVEN ALL

387
00:14:24,037 --> 00:14:25,037
THE UGLINESS DOWN SOUTH,

388
00:14:25,125 --> 00:14:25,690
PLEASE DON'T HOLD THAT

389
00:14:25,865 --> 00:14:27,040
AGAINST ME.

390
00:14:27,214 --> 00:14:28,214
FRANKLY, I SPEND SO MUCH

391
00:14:28,345 --> 00:14:28,955
TIME IN CANADA, I CONSIDER IT

392
00:14:29,129 --> 00:14:30,129
A SECOND HOME.

393
00:14:30,260 --> 00:14:31,522
IN FACT, I'M CONSIDERING

394
00:14:31,696 --> 00:14:32,736
MOVING HERE WHEN I FINALLY

395
00:14:32,784 --> 00:14:34,090
ESTABLISH MYSELF.

396
00:14:34,264 --> 00:14:35,004
AND WILL YOU BE BRINGING

397
00:14:35,178 --> 00:14:36,178
ANY FAMILY WITH YOU?

398
00:14:36,223 --> 00:14:37,223
I WISH I COULD SAY YES,

399
00:14:37,311 --> 00:14:37,964
BUT I'M AFRAID I'M CONDEMNED

400
00:14:38,138 --> 00:14:38,965
TO BACHELORHOOD.

401
00:14:39,139 --> 00:14:40,139
I SEEM TO BE MARRIED TO

402
00:14:40,183 --> 00:14:41,183
THE HORSE TRADE, AND IT'S

403
00:14:41,271 --> 00:14:42,925
A VERY JEALOUS BRIDE.

404
00:14:43,099 --> 00:14:44,099
WELL, PERHAPS YOU HAVEN'T

405
00:14:44,144 --> 00:14:45,164
FOUND THE RIGHT WOMAN YET.

406
00:14:45,188 --> 00:14:46,188
PERHAPS.

407
00:14:48,626 --> 00:14:49,845
MR. JOHNSON, I HAVE

408
00:14:50,019 --> 00:14:51,020
A QUESTION FOR YOU.

409
00:14:51,194 --> 00:14:52,021
WHAT DO YOU THINK ABOUT

410
00:14:52,195 --> 00:14:52,717
A WOMAN GETTING A HIGHER

411
00:14:52,892 --> 00:14:53,544
EDUCATION?

412
00:14:53,718 --> 00:14:54,981
MARY.

413
00:14:55,155 --> 00:14:56,235
TELL ME, HOW SHOULD A YOUNG

414
00:14:56,330 --> 00:14:57,570
LADY FEEL WHEN HER FATHER TAKES

415
00:14:57,635 --> 00:14:58,854
AWAY HER DREAM OF COLLEGE TO

416
00:14:59,028 --> 00:15:00,028
ARRANGE HER MARRIAGE TO

417
00:15:00,073 --> 00:15:00,900
A COMPLETE STRANGER?

418
00:15:01,074 --> 00:15:01,901
MARY, THIS IS NEITHER

419
00:15:02,075 --> 00:15:03,250
THE TIME, NOR THE PLACE.

420
00:15:08,995 --> 00:15:10,605
I'D LIKE TO ANSWER THAT

421
00:15:10,779 --> 00:15:11,939
QUESTION, IF I MAY, MR. MINK.

422
00:15:15,436 --> 00:15:16,456
CERTAINLY, I'M NO EXPERT ON

423
00:15:16,480 --> 00:15:17,480
SUCH A PRIVATE MATTER.

424
00:15:17,568 --> 00:15:18,134
BUT MAYBE I CAN MAKE YOU

425
00:15:18,308 --> 00:15:19,483
BOTH HAPPY.

426
00:15:19,657 --> 00:15:20,745
MARY, IT IS YOUR FATHER'S

427
00:15:20,920 --> 00:15:21,960
DUTY TO FIND YOU A HUSBAND

428
00:15:22,051 --> 00:15:22,617
WHO WILL CARE FOR YOU THE WAY

429
00:15:22,791 --> 00:15:24,140
THAT HE HAS.

430
00:15:24,314 --> 00:15:26,055
BUT PERHAPS, IN HIS SEARCH,

431
00:15:26,229 --> 00:15:28,710
HE WILL FIND SOMEONE

432
00:15:28,884 --> 00:15:30,146
FORWARD-THINKING ENOUGH

433
00:15:30,320 --> 00:15:31,756
TO APPRECIATE THE VALUE OF

434
00:15:31,931 --> 00:15:33,976
AN EDUCATED WIFE, AND MAN

435
00:15:34,150 --> 00:15:34,977
ENOUGH NOT TO GIVE A

436
00:15:35,151 --> 00:15:36,370
WHAT SOCIETY THINKS.

437
00:15:36,544 --> 00:15:37,893
WELL, I'D LIKE TO THINK THAT

438
00:15:38,067 --> 00:15:39,895
SUCH A MAN EXISTS, MR. JOHNSON,

439
00:15:40,069 --> 00:15:42,811
BUT, UH, I'M A REALIST.

440
00:15:42,985 --> 00:15:43,638
WELL, TIMES ARE CHANGING,

441
00:15:43,812 --> 00:15:45,031
MR. MINK.

442
00:15:45,205 --> 00:15:46,032
MAYBE YOU JUST NEED TO CAST

443
00:15:46,206 --> 00:15:48,121
YOUR NET A LITTLE WIDER.

444
00:15:48,295 --> 00:15:49,513
IT WOULD BE A SHAME NOT TO

445
00:15:49,687 --> 00:15:50,807
LET SUCH A BRIGHT YOUNG LADY

446
00:15:50,862 --> 00:15:51,862
PURSUE HER DREAM.

447
00:15:56,694 --> 00:15:57,694
SIR?

448
00:16:04,006 --> 00:16:06,182
MARY, ELIZABETH.

449
00:16:13,146 --> 00:16:14,146
THANK YOU.

450
00:16:17,193 --> 00:16:17,889
MR. MINK?

451
00:16:18,064 --> 00:16:19,152
YES? AH.

452
00:16:19,326 --> 00:16:20,326
THERE WAS A MESSAGE

453
00:16:20,370 --> 00:16:21,067
AT MY HOTEL THAT SAID YOU

454
00:16:21,241 --> 00:16:22,241
WANTED TO SEE ME.

455
00:16:22,285 --> 00:16:24,200
YES. WILLIAM.

456
00:16:24,374 --> 00:16:25,593
COME, SIT DOWN.

457
00:16:27,595 --> 00:16:29,118
SHERRY?

458
00:16:29,292 --> 00:16:31,991
THANK YOU.

459
00:16:32,165 --> 00:16:33,949
YOU KNOW, THE, UH, OTHER

460
00:16:34,123 --> 00:16:36,821
EVENING, YOU ADVISED ME TO, UH,

461
00:16:36,996 --> 00:16:38,780
WIDEN MY SEARCH IN LOOKING

462
00:16:38,954 --> 00:16:39,999
FOR A HUSBAND FOR MARY.

463
00:16:40,173 --> 00:16:40,825
I HOPE I DIDN'T OVERSTEP

464
00:16:41,000 --> 00:16:42,044
MY BOUNDS.

465
00:16:42,218 --> 00:16:43,218
OH, NO, NO, NO.

466
00:16:43,350 --> 00:16:44,090
ON THE CONTRARY, IN FACT,

467
00:16:44,264 --> 00:16:46,179
YOU OPENED MY EYES.

468
00:16:46,353 --> 00:16:47,963
YOU ADVISED ME TO, UH, LOOK

469
00:16:48,137 --> 00:16:49,158
FOR A MORE FORWARD-THINKING

470
00:16:49,182 --> 00:16:50,792
MAN, SOMEONE WHO WOULD LET

471
00:16:50,966 --> 00:16:51,793
MARY PURSUE HER DREAMS.

472
00:16:51,967 --> 00:16:53,273
YES, I SAID THAT.

473
00:16:53,447 --> 00:16:56,754
YOU KNOW, I BELIEVE...

474
00:16:56,928 --> 00:16:57,928
THAT YOU ARE THAT MAN.

475
00:17:02,412 --> 00:17:04,501
I DON'T... I DON'T KNOW

476
00:17:04,675 --> 00:17:06,112
WHAT TO SAY.

477
00:17:06,286 --> 00:17:07,896
ALL I ASK... IF, OF COURSE,

478
00:17:08,070 --> 00:17:10,290
YOU WILL ACCEPT MY OFFER...

479
00:17:10,464 --> 00:17:11,769
IS FOR YOU TO TAKE GOOD CARE

480
00:17:11,943 --> 00:17:13,641
OF MARY, GIVE HER THE LOVE

481
00:17:13,815 --> 00:17:15,730
THAT SHE DESERVES.

482
00:17:15,904 --> 00:17:17,471
UH, YES, OF COURSE.

483
00:17:17,645 --> 00:17:19,038
I MEAN, UH...

484
00:17:22,867 --> 00:17:25,914
MR. MINK, UH, MARY IS A LOVELY

485
00:17:26,088 --> 00:17:27,524
YOUNG WOMAN, BUT I...

486
00:17:31,006 --> 00:17:31,572
I'll NEED SOME TIME TO THINK.

487
00:17:31,746 --> 00:17:32,529
ABOUT THIS.

488
00:17:32,703 --> 00:17:33,791
OF COURSE.

489
00:17:38,013 --> 00:17:40,320
I WOULD EXPECT NOTHING LESS.

490
00:17:47,457 --> 00:17:48,589
MY COMPLIMENTS ON

491
00:17:48,763 --> 00:17:49,851
A LOVELY AFFAIR.

492
00:17:50,025 --> 00:17:50,808
YOUR DAUGHTER'S YOUNG MAN

493
00:17:50,982 --> 00:17:51,982
IS QUITE A CATCH.

494
00:17:52,027 --> 00:17:53,027
WE THINK SO, TOO,

495
00:17:53,072 --> 00:17:54,247
MR. CARBERRY.

496
00:17:54,421 --> 00:17:55,074
I'M ALSO IMPRESSED BY

497
00:17:55,248 --> 00:17:57,076
YOUR GUEST LIST.

498
00:17:57,250 --> 00:17:58,450
THIS KIND OF GALA EVENT CAN GO

499
00:17:58,555 --> 00:18:00,340
A LONG WAY IN AN ELECTION YEAR.

500
00:18:00,514 --> 00:18:02,951
SMART THINKING, MINK.

501
00:18:03,125 --> 00:18:04,125
MRS. MINK.

502
00:18:06,520 --> 00:18:07,869
OH, REALLY, AS IF OUR GUESTS

503
00:18:08,043 --> 00:18:08,652
WERE INVITED TO FURTHER YOUR

504
00:18:08,826 --> 00:18:10,785
AMBITIONS.

505
00:18:10,959 --> 00:18:12,395
THE MAN HAS NO MANNERS.

506
00:18:12,569 --> 00:18:13,353
WELL, HE'S A POLITICIAN.

507
00:18:13,527 --> 00:18:14,789
THAT'S WHAT THEY DO.

508
00:18:14,963 --> 00:18:16,921
NOW, MAY I HAVE THE DANCE

509
00:18:17,096 --> 00:18:17,792
WITH THE MOST BEAUTIFUL WOMAN

510
00:18:17,966 --> 00:18:18,966
IN ALL OF TORONTO?

511
00:18:19,054 --> 00:18:19,707
YES, YOU MAY.

512
00:18:19,881 --> 00:18:21,491
AH.

513
00:18:28,411 --> 00:18:31,110
MOTHER, WERE YOU AFRAID?

514
00:18:31,284 --> 00:18:33,895
OH, YES, I THINK EVERY GIRL

515
00:18:34,069 --> 00:18:36,463
IS ON HER WEDDING NIGHT.

516
00:18:36,637 --> 00:18:37,899
BUT I SOON DISCOVERED THAT

517
00:18:38,073 --> 00:18:38,813
YOUR FATHER WAS A GENTLE AND

518
00:18:38,987 --> 00:18:40,293
TENDER MAN.

519
00:18:40,467 --> 00:18:41,487
AND I AM SURE THAT WILLIAM

520
00:18:41,511 --> 00:18:43,905
WILL BE THE SAME.

521
00:18:44,079 --> 00:18:47,038
OH, MARY, YOU'VE YOUR WHOLE

522
00:18:47,213 --> 00:18:49,302
LIFE BEFORE YOU.

523
00:18:49,476 --> 00:18:51,826
EMBRACE EVERY PART OF IT,

524
00:18:52,000 --> 00:18:52,827
WHETHER PLEASURE OR PAIN,

525
00:18:53,001 --> 00:18:55,003
WITH YOUR WHOLE SOUL.

526
00:18:55,177 --> 00:18:57,919
AND REMEMBER, GOD WILL

527
00:18:58,093 --> 00:18:58,920
NEVER PUT YOU THROUGH MORE

528
00:18:59,094 --> 00:19:00,094
THAN YOU CAN BEAR.

529
00:19:04,839 --> 00:19:06,797
I'VE FORGOTTEN.

530
00:19:06,971 --> 00:19:08,190
WHEN DO YOU SAIL?

531
00:19:08,364 --> 00:19:09,887
FIRST OF THE MONTH.

532
00:19:10,061 --> 00:19:11,061
MY DRIVER WILL TAKE US

533
00:19:11,106 --> 00:19:11,802
ACROSS THE BORDER INTO

534
00:19:11,976 --> 00:19:13,239
NIAGARA TONIGHT.

535
00:19:13,413 --> 00:19:14,413
WE SHOULD BE IN NEW YORK

536
00:19:14,457 --> 00:19:15,110
HARBOR BY THE WEEK'S END.

537
00:19:15,284 --> 00:19:16,807
MM-HMM.

538
00:19:16,981 --> 00:19:19,897
WELL, SIR, YOUR DOWRY.

539
00:19:20,071 --> 00:19:21,377
MR. MINK...

540
00:19:21,551 --> 00:19:22,813
AH, JAMES, PLEASE.

541
00:19:22,987 --> 00:19:24,380
JAMES.

542
00:19:24,554 --> 00:19:28,819
WILLIAM, TAKE GOOD CARE

543
00:19:28,993 --> 00:19:30,778
OF MY DAUGHTER, PLEASE.

544
00:19:33,302 --> 00:19:35,913
OH, I LOVE YOU, MARY.

545
00:19:36,087 --> 00:19:37,654
I LOVE YOU, TOO, MOTHER.

546
00:19:37,828 --> 00:19:38,873
I'll WRITE YOU AS SOON.

547
00:19:39,047 --> 00:19:40,135
AS I REACH ENGLAND.

548
00:19:44,444 --> 00:19:47,447
ONCE BECAUSE I'll MISS YOU,

549
00:19:47,621 --> 00:19:51,842
TWICE BECAUSE I LOVE YOU,

550
00:19:52,016 --> 00:19:53,016
AND THREE TIMES BECAUSE

551
00:19:53,104 --> 00:19:54,454
I ALWAYS WILL.

552
00:19:59,981 --> 00:20:00,764
PICK IT UP, KITCHEL.

553
00:20:00,938 --> 00:20:02,113
HYAH.

554
00:20:17,128 --> 00:20:18,695
OH, WILLIAM, LOOK AT HOW

555
00:20:18,869 --> 00:20:20,871
BEAUTIFUL IT IS.

556
00:20:21,045 --> 00:20:22,221
I NEVER THOUGHT I'D COME TO

557
00:20:22,395 --> 00:20:23,787
AMERICA, OR SAIL TO ENGLAND.

558
00:20:23,961 --> 00:20:25,180
IT'S ALL SO WONDERFUL

559
00:20:51,380 --> 00:20:53,208
WILLIAM, PLEASE BE GENTLE.

560
00:21:04,741 --> 00:21:07,788
$200... WHY, THANK YOU, SIR.

561
00:21:07,962 --> 00:21:09,050
GENTLEMEN, GENTLEMEN, IT'S

562
00:21:09,224 --> 00:21:10,384
A BARGAIN AT TWICE THE PRICE.

563
00:21:10,530 --> 00:21:13,010
250... I THANK YOU SIR.

564
00:21:13,184 --> 00:21:14,882
250, 250, WHO'LL GIVE ME 300?

565
00:21:15,056 --> 00:21:16,144
WHO'LL GIVE ME 300?

566
00:21:16,318 --> 00:21:17,754
YOU, SIR, IN THE BACK, 300.

567
00:21:17,928 --> 00:21:19,756
WHO WILL GIVE ME 350?

568
00:21:19,930 --> 00:21:21,018
WHO WILL GIVE ME 350?

569
00:21:21,192 --> 00:21:22,411
350 FOR THE...

570
00:21:22,585 --> 00:21:23,978
350!

571
00:21:24,152 --> 00:21:25,152
350, I THANK YOU, SIR.

572
00:21:25,284 --> 00:21:27,329
NO, NO!

573
00:21:27,503 --> 00:21:30,245
YOU!

574
00:21:30,419 --> 00:21:31,419
THAT'S NO WAY TO TALK

575
00:21:31,507 --> 00:21:32,507
TO YOUR HUSBAND.

576
00:21:32,552 --> 00:21:35,294
I HOPE YOU ROT.

577
00:21:35,468 --> 00:21:37,861
I'M PLANNING ON IT.

578
00:21:38,035 --> 00:21:39,035
KITCHEL, GET THESE

579
00:21:39,123 --> 00:21:41,125
LINED UP, HER FIRST.

580
00:21:41,300 --> 00:21:43,519
DO I HEAR 450?

581
00:21:43,693 --> 00:21:46,435
GOING ONCE, GOING TWICE.

582
00:21:47,915 --> 00:21:49,308
SOLD FOR $400.

583
00:21:51,701 --> 00:21:53,312
A GIRL OF

584
00:21:53,486 --> 00:21:55,357
CHILD-BEARING AGE, OFFERED BY

585
00:21:55,531 --> 00:21:57,098
MR. WILLIAM JOHNSON.

586
00:22:02,016 --> 00:22:03,409
NO, NO, GET YOUR HANDS

587
00:22:03,583 --> 00:22:04,583
OFF ME!

588
00:22:14,028 --> 00:22:14,550
IT REQUIRES A MINIMUM BID

589
00:22:14,724 --> 00:22:16,509
OF $700.

590
00:22:16,683 --> 00:22:18,424
WHO WILL OPEN?

591
00:22:18,598 --> 00:22:19,990
725.

592
00:22:20,164 --> 00:22:21,165
STOP THIS!

593
00:22:21,340 --> 00:22:21,905
STOP THIS, I'M NOT A SLAVE.

594
00:22:23,254 --> 00:22:24,517
I'M NOT A SLAVE!

595
00:22:24,691 --> 00:22:26,170
LISTEN TO ME!

596
00:22:26,345 --> 00:22:28,172
THIS MAN... THIS MAN KIDNAPPED

597
00:22:28,347 --> 00:22:29,652
ME FROM MY HOME IN CANADA.

598
00:22:31,480 --> 00:22:32,960
I'M THE DAUGHTER OF

599
00:22:33,134 --> 00:22:34,135
JAMES MINK, AND I'M NOT

600
00:22:34,309 --> 00:22:35,658
A SLAVE.

601
00:22:35,832 --> 00:22:38,705
LISTEN TO ME!

602
00:22:38,879 --> 00:22:41,925
I'M NOT A SLAVE!

603
00:22:42,099 --> 00:22:43,099
MOVE HER DOWN

604
00:22:43,144 --> 00:22:44,144
IN THE BIDDING.

605
00:22:44,232 --> 00:22:45,232
I'M NOT A SLAVE!

606
00:22:57,201 --> 00:22:58,855
NOW, YOU LISTEN TO ME.

607
00:22:59,029 --> 00:23:00,509
YOU'D BEST LEARN YOUR PLACE,

608
00:23:00,683 --> 00:23:01,763
AND KEEP YOUR MOUTH SHUT...

609
00:23:04,078 --> 00:23:05,079
IT WOULD BE A SHAME TO

610
00:23:05,253 --> 00:23:06,253
LOWER THE VALUE OF SUCH

611
00:23:06,385 --> 00:23:07,385
A MAGNIFICENT PIECE OF

612
00:23:07,429 --> 00:23:09,213
PROPERTY, SIR.

613
00:23:09,388 --> 00:23:11,215
SHE CAUSED QUITE A STIR.

614
00:23:11,390 --> 00:23:12,129
YEAH, WELL, THIS LITTLE

615
00:23:12,303 --> 00:23:13,304
EITHER DELIRIOUS

616
00:23:13,479 --> 00:23:14,175
FROM THE HEAT, OR HER HEAD'S

617
00:23:14,349 --> 00:23:15,959
FULL OF FANTASIES.

618
00:23:16,133 --> 00:23:18,222
EITHER WAY, A BEATING IS

619
00:23:18,397 --> 00:23:20,790
NO WAY TO TAME A SASSY MOUTH.

620
00:23:20,964 --> 00:23:22,357
YOU OUTBID THE OTHERS,

621
00:23:22,531 --> 00:23:23,053
AND YOU CAN DO AS YOU PLEASE.

622
00:23:23,227 --> 00:23:23,880
MISTER.

623
00:23:24,054 --> 00:23:25,054
$1,200.

624
00:23:27,144 --> 00:23:28,319
I BELIEVE THE OFFER IS FAIR,

625
00:23:28,494 --> 00:23:29,712
GIVEN HER WILD STREAK.

626
00:23:29,886 --> 00:23:31,148
MISTER...

627
00:23:31,322 --> 00:23:33,237
ON THE CONTRARY, PERHAPS

628
00:23:33,412 --> 00:23:34,848
HER WILD STREAK IS WHAT

629
00:23:35,022 --> 00:23:36,980
EXCITES YOU THE MOST.

630
00:23:37,154 --> 00:23:38,982
DO WE HAVE A SALE OR NOT?

631
00:23:39,156 --> 00:23:40,220
I BELIEVE YOU'RE LOOKING FOR

632
00:23:40,244 --> 00:23:41,507
MORE THAN A FIELD HAND, SIR.

633
00:23:41,681 --> 00:23:43,900
AND WHAT YOU WANT COMES

634
00:23:44,074 --> 00:23:44,771
AT A MUCH HIGHER PRICE.

635
00:23:44,945 --> 00:23:46,512
2,000.

636
00:23:46,686 --> 00:23:48,688
MISTER, THIS MAN STOLE ME.

637
00:23:48,862 --> 00:23:49,863
HE KIDNAPPED ME.

638
00:23:50,037 --> 00:23:51,995
I'M NOT A SLAVE HERE.

639
00:23:52,169 --> 00:23:53,910
PLEASE BELIEVE ME.

640
00:23:54,084 --> 00:23:54,824
OF COURSE YOU'RE NOT.

641
00:23:54,998 --> 00:23:55,998
YOU'RE A VERY LOVELY

642
00:23:56,086 --> 00:23:57,174
YOUNG LADY.

643
00:23:57,348 --> 00:23:58,045
WE'RE GONNA MAKE A REAL

644
00:23:58,219 --> 00:23:59,219
GOOD HOME FOR YOU.

645
00:24:02,005 --> 00:24:03,050
MY FATHER WILL KILL YOU

646
00:24:03,224 --> 00:24:05,226
FOR THIS.

647
00:24:05,400 --> 00:24:07,097
BE GOOD TO YOUR NEW

648
00:24:07,271 --> 00:24:08,271
MASTER, NOW, MARY.

649
00:24:10,579 --> 00:24:14,017
YEEE!

650
00:24:17,281 --> 00:24:21,111
YEEHEE!

651
00:24:25,942 --> 00:24:30,381
YEEE!

652
00:24:30,556 --> 00:24:31,078
GOOD LUCK AT THE MARKET,

653
00:24:31,252 --> 00:24:32,427
MR. CLAY?

654
00:24:32,601 --> 00:24:33,641
LUCK IS A FICKLE MISTRESS,

655
00:24:33,689 --> 00:24:34,908
MR. STROOPE.

656
00:24:35,082 --> 00:24:36,431
TOBACCO PRICES ARE DOWN.

657
00:24:36,605 --> 00:24:38,128
OH, SORRY TO HEAR THAT, SIR.

658
00:24:38,302 --> 00:24:38,694
WHAT DO YOU WANT DONE WITH

659
00:24:38,868 --> 00:24:40,000
THE?

660
00:24:40,174 --> 00:24:40,957
SHE'S NOT STRONG ENOUGH

661
00:24:41,131 --> 00:24:42,219
FOR THE FIELDS.

662
00:24:42,393 --> 00:24:42,916
BEST PUT HER IN THE KITCHEN

663
00:24:43,090 --> 00:24:44,091
WITH INDIGO.

664
00:24:47,790 --> 00:24:52,055
YEHEEE!

665
00:25:00,411 --> 00:25:01,717
SHERMAN, YOU SAID YOU'D

666
00:25:01,891 --> 00:25:02,588
BE HOME YESTERDAY.

667
00:25:02,762 --> 00:25:04,067
I WAS WORRIED.

668
00:25:04,241 --> 00:25:05,852
YOU SHOULDN'T HAVE BEEN.

669
00:25:06,026 --> 00:25:06,853
I WAS SIMPLY DELAYED

670
00:25:07,027 --> 00:25:08,594
AT MARKET.

671
00:25:08,768 --> 00:25:09,768
DELAYED BY WHAT?

672
00:25:09,812 --> 00:25:12,685
BY WHOM?

673
00:25:12,859 --> 00:25:13,859
I'M TIRED, CATHERINE.

674
00:25:13,947 --> 00:25:14,774
I'M NOT IN THE MOOD

675
00:25:14,948 --> 00:25:15,948
FOR QUESTIONS.

676
00:25:23,565 --> 00:25:24,697
COME ON, YOU CAN MOVE

677
00:25:24,871 --> 00:25:25,871
FASTER THAN THAT.

678
00:25:25,915 --> 00:25:27,003
YOU'RE HURTING ME.

679
00:25:27,177 --> 00:25:28,527
I SAID MOVE.

680
00:25:32,313 --> 00:25:34,228
LET GO OF ME.

681
00:25:34,402 --> 00:25:35,510
DON'T TREAT ME LIKE AN ANIMAL.

682
00:25:35,534 --> 00:25:37,231
SISSY, YOU SASS ME AGAIN,

683
00:25:37,405 --> 00:25:38,145
I'll TAKE THAT YELLOW SKIN.

684
00:25:38,319 --> 00:25:40,016
OFF YOUR BACK.

685
00:25:40,190 --> 00:25:41,230
MR. CLAY WANTS HER WORKING

686
00:25:41,322 --> 00:25:41,888
IN THE KITCHEN WITH YOU,

687
00:25:42,062 --> 00:25:43,542
INDIGO.

688
00:25:43,716 --> 00:25:45,021
SEE TO IT SHE LEARN HER PLACE

689
00:25:45,195 --> 00:25:46,893
AND DON'T CAUSE NO TROUBLE.

690
00:25:47,067 --> 00:25:48,067
YES, SIR, MR. STROOPE.

691
00:25:51,462 --> 00:25:53,203
MERCY, CHILD, WHY YOU WANT

692
00:25:53,377 --> 00:25:53,943
TO RILE UP MR. STROOPE

693
00:25:54,117 --> 00:25:55,117
LIKE THAT?

694
00:26:48,563 --> 00:26:49,869
COME ALONG, GIRL, THESE

695
00:26:50,043 --> 00:26:50,652
POTATOES AIN'T GONNA PEEL

696
00:26:50,826 --> 00:26:52,001
THEMSELVES.

697
00:26:52,175 --> 00:26:53,255
AIN'T YOU DONE THIS BEFORE?

698
00:26:57,050 --> 00:26:57,703
THAT'S ALL RIGHT, CHILD,

699
00:26:57,877 --> 00:27:00,053
IT'S ALL RIGHT.

700
00:27:00,227 --> 00:27:02,446
OLD INDIGO GONNA

701
00:27:02,621 --> 00:27:03,622
LEARN YOU HOW.

702
00:27:06,929 --> 00:27:07,929
YOU GOT THE HANDS

703
00:27:08,061 --> 00:27:09,061
OF A.

704
00:27:11,891 --> 00:27:13,588
WHERE YOU COME FROM?

705
00:27:13,762 --> 00:27:15,982
CANADA?

706
00:27:16,156 --> 00:27:16,896
IS THAT WHERE YOU LEARNED

707
00:27:17,070 --> 00:27:18,462
THAT FANCY TALK?

708
00:27:18,637 --> 00:27:19,420
AND IF I CAN JUST GET WORD

709
00:27:19,594 --> 00:27:20,769
TO MY FATHER IN TORONTO,

710
00:27:20,943 --> 00:27:21,640
I KNOW HE'LL COME FOR ME AND

711
00:27:21,814 --> 00:27:22,641
TAKE ME BACK HOME.

712
00:27:22,815 --> 00:27:25,382
WILL YOU HELP ME?

713
00:27:25,556 --> 00:27:27,646
MARY, UH, I GOT SOME BAD

714
00:27:27,820 --> 00:27:29,169
NEWS FOR YOU, GIRL.

715
00:27:29,343 --> 00:27:31,258
YOU IS HOME.

716
00:27:31,432 --> 00:27:32,259
DON'T YOU UNDERSTAND?

717
00:27:32,433 --> 00:27:33,173
I'M NOT A SLAVE.

718
00:27:33,347 --> 00:27:34,347
I WAS KIDNAPPED.

719
00:27:34,391 --> 00:27:36,045
I'M NOT LIKE YOU.

720
00:27:36,219 --> 00:27:37,003
GIRL, LET ME TELL YOU

721
00:27:37,177 --> 00:27:37,873
SOMETHING, WE ALL BEEN

722
00:27:38,047 --> 00:27:39,396
KIDNAPPED.

723
00:27:39,570 --> 00:27:40,615
YOU AIN'T NOTHING SPECIAL.

724
00:27:40,789 --> 00:27:41,853
DON'T MATTER HOW YOU GOT HERE.

725
00:27:41,877 --> 00:27:43,009
YOU'VE BEEN BOUGHT AND PAID

726
00:27:43,183 --> 00:27:44,203
FOR, JUST LIKE THE REST OF US,

727
00:27:44,227 --> 00:27:45,054
AND THAT MAKE YOU A SLAVE.

728
00:27:45,228 --> 00:27:46,055
IF YOU WON'T HELP ME,

729
00:27:46,229 --> 00:27:47,317
I'll GO TO MR. CLAY.

730
00:27:47,491 --> 00:27:48,144
I'll MAKE HIM BELIEVE.

731
00:27:48,318 --> 00:27:50,016
THE TRUTH.

732
00:27:50,190 --> 00:27:51,190
THE TRUTH IS, MASSA CLAY

733
00:27:51,278 --> 00:27:52,061
AIN'T GONNA GIVE YOU UP FOR

734
00:27:52,235 --> 00:27:53,062
YOUR DADDY, OR NOBODY.

735
00:27:53,236 --> 00:27:53,976
NOW, HE DONE BROUGHT YOU

736
00:27:54,150 --> 00:27:54,977
HERE FOR ONE REASON.

737
00:27:55,151 --> 00:27:56,196
STOP THAT TALK, BOY.

738
00:27:56,370 --> 00:27:57,110
NOW, MAMA, MASSA CLAY AIN'T

739
00:27:57,284 --> 00:27:57,806
NO LITTLE BOY,

740
00:27:57,980 --> 00:27:59,068
NO MORE.

741
00:27:59,242 --> 00:28:00,330
NOW, YOU MAY HAVE BEEN HIS

742
00:28:00,504 --> 00:28:01,331
MAMMY, BUT YOU SURE AIN'T

743
00:28:01,505 --> 00:28:02,332
LEARNED HIM NO MANNERS.

744
00:28:02,506 --> 00:28:03,769
NOW, WE BOTH KNOW WHY HE

745
00:28:03,943 --> 00:28:05,031
BROUGHT THIS GAL HERE.

746
00:28:08,208 --> 00:28:09,209
ELROI, STOP IT.

747
00:28:12,516 --> 00:28:13,213
NOW, YOU BEST GET THIS IN

748
00:28:13,387 --> 00:28:14,954
YOUR HEAD, GIRL.

749
00:28:15,128 --> 00:28:16,390
DON'T NOBODY LEAVE THIS PLACE

750
00:28:16,564 --> 00:28:17,043
UNLESS IT'S ON A CHARIOT

751
00:28:17,217 --> 00:28:18,218
OF FIRE.

752
00:29:51,267 --> 00:29:53,052
LET GO OF ME, ELROI.

753
00:29:53,226 --> 00:29:54,246
YOU AIN'T RIGHT IN THE HEAD,

754
00:29:54,270 --> 00:29:55,010
YOU KNOW THAT, GIRL?

755
00:29:55,184 --> 00:29:56,925
ELROI,

756
00:29:57,099 --> 00:29:58,274
I'M GETTING AWAY FROM HERE.

757
00:29:58,448 --> 00:29:59,188
NOW, THAT'S THE STUPIDEST

758
00:29:59,362 --> 00:30:00,146
THING I EVER HEARD.

759
00:30:00,320 --> 00:30:01,147
YOU WOULDN'T HAVE GOT

760
00:30:01,321 --> 00:30:02,321
TWO MILES OFF THIS PLACE

761
00:30:02,409 --> 00:30:03,105
BEFORE STROOPE AND HIS DOGS

762
00:30:03,279 --> 00:30:04,279
BEEN ALL OVER YOU.

763
00:30:04,367 --> 00:30:05,107
THEN WHAT WAS YOU GONNA DO,

764
00:30:05,281 --> 00:30:06,065
TELL HIM YOU WAS OUT

765
00:30:06,239 --> 00:30:07,022
FOR A MOONLIGHT WALK?

766
00:30:07,196 --> 00:30:08,197
WOMAN, YOU GOT NO IDEA

767
00:30:08,371 --> 00:30:09,416
WHAT YOU'RE DEALING WITH.

768
00:30:09,590 --> 00:30:10,654
WELL, AT LEAST I'M NOT SOME

769
00:30:10,678 --> 00:30:11,742
COWARD WHO'S TO AFRAID TO BE

770
00:30:11,766 --> 00:30:12,506
ANYTHING BUT A BOOT-LICKING

771
00:30:12,680 --> 00:30:15,378
SLAVE HIS WHOLE LIFE.

772
00:30:15,552 --> 00:30:17,990
YOU KNOW WHAT THIS IS?

773
00:30:18,164 --> 00:30:20,122
DO YOU? THAT IS WHAT THEY GIVE

774
00:30:20,296 --> 00:30:21,341
A BOOT-LICKING SLAVE WHEN

775
00:30:21,515 --> 00:30:22,515
THEY CATCH HIM RUNNING.

776
00:30:22,603 --> 00:30:24,300
THEY BURN IT INTO HIM LIKE

777
00:30:24,474 --> 00:30:26,128
HE'S SOME ANIMAL.

778
00:30:26,302 --> 00:30:27,956
THEN THEY TELL HIM IF HE EVER

779
00:30:28,130 --> 00:30:30,437
RUN AGAIN, HE BEST GET FREE,

780
00:30:30,611 --> 00:30:32,569
BECAUSE IF THEY CATCH HIM,

781
00:30:32,743 --> 00:30:33,483
HE GONNA GET A ROPE AROUND

782
00:30:33,657 --> 00:30:34,657
HIS NECK.

783
00:30:37,400 --> 00:30:39,925
DON'T YOU JUDGE ME, GIRL,

784
00:30:40,099 --> 00:30:42,101
NOT TILL YOU BEEN WHERE I BEEN.

785
00:30:55,462 --> 00:30:57,377
IT'S COLD OUT HERE.

786
00:30:57,551 --> 00:30:58,247
YOU SHOULD COME IN AND SIT

787
00:30:58,421 --> 00:31:00,859
BY THE FIRE.

788
00:31:01,033 --> 00:31:02,338
DO YOU THINK MARY'S

789
00:31:02,512 --> 00:31:04,123
SOMEWHERE LOOKING UP AT

790
00:31:04,297 --> 00:31:07,474
THESE SAME STARS RIGHT NOW?

791
00:31:07,648 --> 00:31:08,779
WELL, IF SHE'S ANYTHING LIKE

792
00:31:08,954 --> 00:31:10,303
HER MOTHER, SHE'S WONDERING

793
00:31:10,477 --> 00:31:11,477
THE SAME THING ABOUT YOU.

794
00:31:14,176 --> 00:31:15,221
I THOUGHT WE WOULD

795
00:31:15,395 --> 00:31:17,005
HAVE HEARD FROM HER BY NOW.

796
00:31:17,179 --> 00:31:17,963
THE MAIL FROM ENGLAND

797
00:31:18,137 --> 00:31:19,442
IS VERY SLOW.

798
00:31:19,616 --> 00:31:20,443
WE'LL HEAR SOMETHING

799
00:31:20,617 --> 00:31:22,576
REAL SOON.

800
00:31:22,750 --> 00:31:24,143
I MISS HER.

801
00:31:28,495 --> 00:31:30,192
THE FROST WILL BE HERE SOON.

802
00:31:30,366 --> 00:31:31,106
LOOK, ALL MY ROSES ARE LOSING

803
00:31:31,280 --> 00:31:32,586
THEIR PETALS.

804
00:32:02,355 --> 00:32:04,096
MARY, WHAT ARE YOU DOING

805
00:32:04,270 --> 00:32:06,837
IN HERE?

806
00:32:07,012 --> 00:32:09,579
UM, YOUR BOOKS, SIR...

807
00:32:09,753 --> 00:32:11,886
I WANTED TO SEE YOUR BOOKS.

808
00:32:12,060 --> 00:32:13,192
YOU CAN READ, THEN, MARY?

809
00:32:15,934 --> 00:32:17,805
SHOW ME.

810
00:32:36,389 --> 00:32:37,781
"IN THEE I FONDLY HOPE

811
00:32:37,956 --> 00:32:39,435
TO CLASP

812
00:32:39,609 --> 00:32:40,828
A FRIEND WHOM DEATH ALONE

813
00:32:41,002 --> 00:32:42,961
COULD SEVER.

814
00:32:43,135 --> 00:32:44,440
TILL ENVY, WITH MALIGNANT

815
00:32:44,614 --> 00:32:45,876
GRASP

816
00:32:46,051 --> 00:32:46,747
DETACH THEE FROM MY BREAST

817
00:32:46,921 --> 00:32:48,053
"FOREVER."

818
00:32:50,751 --> 00:32:52,361
"THE LYRIC POETRY OF BYRON."

819
00:32:56,017 --> 00:32:58,324
ARE YOU AWARE THE LAW ALLOWS

820
00:32:58,498 --> 00:32:59,325
ME TO HAVE YOU BEATEN FOR

821
00:32:59,499 --> 00:33:00,499
LEARNING TO READ?

822
00:33:03,198 --> 00:33:04,198
BUT THE LAW

823
00:33:04,330 --> 00:33:05,330
IS A FOOLISH ONE.

824
00:33:16,298 --> 00:33:20,737
WE'LL LET THIS BE OUR

825
00:33:20,911 --> 00:33:23,262
LITTLE SECRET.

826
00:33:45,023 --> 00:33:47,286
"FATHER, WILLIAM JOHNSON

827
00:33:47,460 --> 00:33:48,852
SOLD ME AS A SLAVE.

828
00:33:49,027 --> 00:33:50,376
I'M BEING HELD AT THE CLAY

829
00:33:50,550 --> 00:33:51,725
PLANTATION NEAR RICHMOND.

830
00:33:51,899 --> 00:33:53,074
PLEASE HELP ME.

831
00:33:53,248 --> 00:33:54,641
"THREE KISSES. MARY."

832
00:34:27,630 --> 00:34:28,718
MORNING MR. CLYDE.

833
00:34:28,892 --> 00:34:29,980
MORNING, MR. CLAY.

834
00:34:30,155 --> 00:34:31,982
YOU LOOK TROUBLED.

835
00:34:32,157 --> 00:34:35,247
SHH! GIVE IT UP.

836
00:34:37,118 --> 00:34:38,118
GETTING OUT OF HAND.

837
00:34:38,206 --> 00:34:38,946
THE ROADS IS CRAWLING

838
00:34:39,120 --> 00:34:40,121
WITH POSSES.

839
00:34:40,295 --> 00:34:41,295
NOW, YOU STAY HERE.

840
00:34:42,428 --> 00:34:43,168
MAIL TO RICHMOND UNTIL

841
00:34:43,342 --> 00:34:44,169
THE END OF THE WEEK.

842
00:34:44,343 --> 00:34:45,126
NONE OF MY MAIL

843
00:34:45,300 --> 00:34:46,040
IS WORTH RISKING THE

844
00:34:46,214 --> 00:34:46,780
SLAVE-CATCHERS FOR.

845
00:34:46,954 --> 00:34:48,651
HA HA!

846
00:34:48,825 --> 00:34:51,611
AFTERNOON, SIR.

847
00:34:51,785 --> 00:34:52,525
LET ME HOLD YOUR HORSE WHILE

848
00:34:52,699 --> 00:34:53,699
YOU HOP ON UP THERE.

849
00:35:04,406 --> 00:35:07,017
ELROI, WHAT HAPPENED?

850
00:35:07,192 --> 00:35:08,671
SHE MUST HAVE SPOOKED, SIR.

851
00:35:08,845 --> 00:35:10,064
MR. CLYDE.

852
00:35:15,809 --> 00:35:16,809
ARE YOU ALL RIGHT?

853
00:35:20,030 --> 00:35:20,553
DON'T YOU NEVER GO NEAR MY

854
00:35:20,727 --> 00:35:21,771
HORSE AGAIN.

855
00:35:21,945 --> 00:35:22,945
YOU UNDERSTAND ME, BOY?

856
00:35:23,077 --> 00:35:24,122
YES, SIR. SORRY, SIR.

857
00:35:29,823 --> 00:35:30,823
HYAH, COME ON.

858
00:35:56,023 --> 00:35:58,895
EPHRAIM, IT'S YOU.

859
00:35:59,069 --> 00:36:00,070
IT'S YOUR NAME.

860
00:36:06,425 --> 00:36:07,643
BOY, WHAT YOU THINK

861
00:36:07,817 --> 00:36:08,817
YOU'RE DOING?

862
00:36:08,905 --> 00:36:10,255
MARKING MY NAME.

863
00:36:10,429 --> 00:36:11,169
SISTER, YOU'RE GONNA BE

864
00:36:11,343 --> 00:36:12,344
THE DEATH OF US ALL.

865
00:36:12,518 --> 00:36:13,171
ELROI, I'M JUST TEACHING HIM

866
00:36:13,345 --> 00:36:14,868
A FEW LETTERS.

867
00:36:15,042 --> 00:36:16,043
HE JUST MAD BECAUSE HE'S

868
00:36:16,217 --> 00:36:17,914
TOO DUMB TO MARK HIS NAME.

869
00:36:18,088 --> 00:36:19,088
BOY, GIVE ME THAT STICK.

870
00:36:22,702 --> 00:36:25,357
E-R...

871
00:36:28,447 --> 00:36:30,971
L-O.

872
00:36:31,145 --> 00:36:32,233
NOW, WHO ARE YOU

873
00:36:32,407 --> 00:36:33,407
CALLING DUMB?

874
00:36:36,106 --> 00:36:37,151
I WANT YOU BOTH TO CLOSE

875
00:36:37,325 --> 00:36:38,326
YOUR EYES.

876
00:36:38,500 --> 00:36:39,501
CLOSE YOUR EYES.

877
00:36:43,766 --> 00:36:45,028
JUST LISTEN.

878
00:36:48,336 --> 00:36:49,511
"SHE WALKS IN BEAUTY

879
00:36:49,685 --> 00:36:50,730
LIKE THE NIGHT

880
00:36:50,904 --> 00:36:52,688
OF CLOUDLESS CLIMES

881
00:36:52,862 --> 00:36:54,299
AND STARRY SKIES.

882
00:36:54,473 --> 00:36:55,691
AND ALL THAT'S BEST OF DARK

883
00:36:55,865 --> 00:36:57,040
AND BRIGHT

884
00:36:57,215 --> 00:36:58,216
MEET IN HER ASPECT

885
00:36:58,390 --> 00:37:00,000
"AND IN HER EYES."

886
00:37:00,174 --> 00:37:01,001
HMM, YOU SURE CAN SPIT OUT

887
00:37:01,175 --> 00:37:02,698
SOME FANCY WORDS, GIRL.

888
00:37:02,872 --> 00:37:04,613
HEH HEH, THEY'RE NOT

889
00:37:04,787 --> 00:37:05,875
MY WORDS, ELROI.

890
00:37:06,049 --> 00:37:07,181
OPEN YOUR EYES.

891
00:37:10,271 --> 00:37:10,837
I AIN'T SUPPOSED TO LOOK

892
00:37:11,011 --> 00:37:12,099
AT NO BOOK.

893
00:37:12,273 --> 00:37:13,753
BOY, YOU GET OUT OF HERE,

894
00:37:13,927 --> 00:37:14,754
AND DON'T YOU TELL NOBODY

895
00:37:14,928 --> 00:37:15,363
ABOUT THIS, YOU HEAR ME?

896
00:37:15,537 --> 00:37:16,669
GO ON.

897
00:37:19,324 --> 00:37:20,499
NOW, IT'S ONE THING I RISK

898
00:37:20,673 --> 00:37:21,693
MY HIDE ON YOUR FOOL LETTER,

899
00:37:21,717 --> 00:37:22,762
BUT YOU LEAVE THAT BOY BE.

900
00:37:22,936 --> 00:37:24,154
I AIN'T LETTING HIM CATCH

901
00:37:24,329 --> 00:37:25,569
HIS BACKSIDE ON STROOPE'S WHIP.

902
00:37:29,377 --> 00:37:29,986
WHAT, DID YOU TAKE THIS FROM

903
00:37:30,160 --> 00:37:31,205
THE BIG HOUSE?

904
00:37:31,379 --> 00:37:32,685
NO, MR. CLAY GAVE IT TO ME.

905
00:37:47,265 --> 00:37:49,223
THERE'S NOTHING AGAIN TODAY.

906
00:37:49,397 --> 00:37:50,877
WELL, PERHAPS TOMORROW.

907
00:37:51,051 --> 00:37:52,748
THAT ONE'S VERY ODD.

908
00:37:52,922 --> 00:37:53,922
IT'S FROM AMERICA.

909
00:38:06,066 --> 00:38:07,110
OH, MY.

910
00:38:08,547 --> 00:38:09,678
IT'S MARY.

911
00:38:09,852 --> 00:38:10,897
WHAT IS?

912
00:38:11,071 --> 00:38:11,854
WHAT'S HAPPENED?

913
00:38:12,028 --> 00:38:15,031
OH, MY!

914
00:38:15,205 --> 00:38:16,903
OH, NO, THIS CAN'T BE TRUE.

915
00:38:17,077 --> 00:38:18,237
JAMES, TELL ME IT'S NOT TRUE.

916
00:38:18,296 --> 00:38:19,471
SON OF A...

917
00:38:19,645 --> 00:38:20,428
NO, NO, IT'S A MISTAKE.

918
00:38:20,602 --> 00:38:21,602
IT MUST BE A MISTAKE.

919
00:38:21,647 --> 00:38:22,169
THAT IS MARY'S WRITING.

920
00:38:22,343 --> 00:38:23,431
IT'S HER!

921
00:38:23,605 --> 00:38:25,172
OH,

922
00:38:25,346 --> 00:38:26,347
WHAT ARE WE GOING TO DO?

923
00:38:26,521 --> 00:38:27,585
I'll HAVE TO GO AND GET HER.

924
00:38:27,609 --> 00:38:28,689
I'll BRING HER HOME SAFELY,

925
00:38:28,784 --> 00:38:29,437
AND WHEN I COME BACK, I'M GONNA

926
00:38:29,611 --> 00:38:30,438
HUNT THAT DOWN,

927
00:38:30,612 --> 00:38:31,396
AND I'M GONNA KILL HIM!

928
00:38:31,570 --> 00:38:32,310
NO, NO, WAIT, WAIT.

929
00:38:32,484 --> 00:38:33,485
NO, WE HAVE TO TALK.

930
00:38:33,659 --> 00:38:34,766
I GOT HER INTO THIS, AND I'M

931
00:38:34,790 --> 00:38:35,854
GOING TO HAVE TO GET HER OUT.

932
00:38:35,878 --> 00:38:36,878
NO, WE'RE BOTH TO BLAME.

933
00:38:36,966 --> 00:38:37,706
NOW, LISTEN, WE HAVE TO FIND

934
00:38:37,880 --> 00:38:38,880
SOMEONE TO HELP US.

935
00:38:38,925 --> 00:38:39,404
NO, SOMEONE WILL HELP US!

936
00:38:39,578 --> 00:38:40,143
PLEASE!

937
00:38:42,755 --> 00:38:45,061
OH, MY.

938
00:38:47,455 --> 00:38:50,197
MY.

939
00:38:50,371 --> 00:38:51,451
WE HAVE BEEN TO THE QUEEN'S

940
00:38:51,590 --> 00:38:53,679
MILITIA, LORD ELGIN, AND TO THE

941
00:38:53,853 --> 00:38:54,941
AMERICAN EMBASSY, AND

942
00:38:55,115 --> 00:38:55,811
NO ONE'S BEEN ABLE TO DO

943
00:38:55,985 --> 00:38:56,985
A THING ABOUT IT.

944
00:38:57,073 --> 00:38:58,205
NOW, THEN, I'M DESPERATE.

945
00:38:58,379 --> 00:39:00,338
WE NEED YOUR HELP.

946
00:39:00,512 --> 00:39:01,339
WELL, OF COURSE, I'll FILE.

947
00:39:01,513 --> 00:39:02,513
LETTERS OF PROTEST WITH

948
00:39:02,557 --> 00:39:03,950
PRESIDENT FILLMORE AND THE

949
00:39:04,124 --> 00:39:06,039
GOVERNOR OF VIRGINIA.

950
00:39:06,213 --> 00:39:07,823
BUT APART FROM THAT,

951
00:39:07,997 --> 00:39:09,999
THERE'S LITTLE I CAN DO.

952
00:39:10,173 --> 00:39:12,088
ARE YOU SAYING THAT THERE'S

953
00:39:12,262 --> 00:39:13,262
NOTHING YOU CAN DO TO GET

954
00:39:13,307 --> 00:39:14,328
THE AMERICANS TO COOPERATE?

955
00:39:14,352 --> 00:39:16,571
MR. MINK, PLEASE TRY TO

956
00:39:16,745 --> 00:39:18,225
UNDERSTAND.

957
00:39:18,399 --> 00:39:20,706
OUR RELATIONS WITH THE STATES

958
00:39:20,880 --> 00:39:23,186
IS STRAINED AT BEST.

959
00:39:23,361 --> 00:39:26,755
NOW, GIVING REFUGE TO THEIR

960
00:39:26,929 --> 00:39:27,669
FUGITIVE SLAVES HASN'T

961
00:39:27,843 --> 00:39:29,410
HELPED MATTERS.

962
00:39:29,584 --> 00:39:30,704
WE'RE IN NO POSITION TO MAKE

963
00:39:30,803 --> 00:39:31,891
STRONG DEMANDS AGAINST

964
00:39:32,065 --> 00:39:33,240
WASHINGTON.

965
00:39:36,025 --> 00:39:37,025
I'M SORRY.

966
00:39:38,941 --> 00:39:42,249
LORD ELGIN, MY DAUGHTER

967
00:39:42,423 --> 00:39:43,729
IS BEING HELD AGAINST HER WILL

968
00:39:43,903 --> 00:39:46,427
IN A FOREIGN COUNTRY.

969
00:39:46,601 --> 00:39:48,124
ARE YOU SAYING THAT THE

970
00:39:48,298 --> 00:39:49,082
GOVERNOR GENERAL OF UPPER

971
00:39:49,256 --> 00:39:50,649
CANADA IS JUST GOING

972
00:39:50,823 --> 00:39:52,041
TO ABANDON HER?

973
00:39:56,263 --> 00:39:58,918
JAMES, WE'VE TAKEN ENOUGH

974
00:39:59,092 --> 00:40:01,181
OF LORD ELGIN'S TIME.

975
00:40:16,936 --> 00:40:17,936
EXCUSE ME, SIR.

976
00:40:19,765 --> 00:40:20,765
SIR?

977
00:40:22,594 --> 00:40:25,727
YES.

978
00:40:25,901 --> 00:40:27,076
I KNOW IT AIN'T MY PLACE TO

979
00:40:27,250 --> 00:40:29,339
GIVE ADVICE, BUT YOU KNOW

980
00:40:29,514 --> 00:40:32,168
I LOVE MISS MARY, TOO.

981
00:40:32,342 --> 00:40:34,083
YOU SEE, SIR, I KNOW THIS

982
00:40:34,257 --> 00:40:36,042
LADY, BIDDY SHADD, SHE RUNS

983
00:40:36,216 --> 00:40:36,869
THE SLAVE CAMP OUT AT

984
00:40:37,043 --> 00:40:38,348
MACAULEY TOWN.

985
00:40:38,523 --> 00:40:39,219
SHE BEEN LIKE AN ANGEL TO ME

986
00:40:39,393 --> 00:40:40,786
AFTER I GOT FREE.

987
00:40:40,960 --> 00:40:42,875
WELL, SHE KNOWS FOLKS

988
00:40:43,049 --> 00:40:43,615
THAT HELP THE RUNAWAYS

989
00:40:43,789 --> 00:40:44,920
DOWN SOUTH.

990
00:40:45,094 --> 00:40:46,254
MAYBE SHE CAN HELP MISS MARY.

991
00:41:17,300 --> 00:41:20,739
MR. MINK, WELCOME.

992
00:41:20,913 --> 00:41:23,655
MISS SHADD?

993
00:41:23,829 --> 00:41:25,265
THE FIRST THING WE'RE GONNA

994
00:41:25,439 --> 00:41:26,484
DO IS GET WORD TO MY

995
00:41:26,658 --> 00:41:27,223
ABOLITIONIST FRIENDS IN

996
00:41:27,397 --> 00:41:28,397
THE STATES.

997
00:41:28,486 --> 00:41:29,530
NOW, I'VE GOT TO TELL YOU

998
00:41:29,704 --> 00:41:31,271
THAT ARRANGING AN ESCAPE CAN

999
00:41:31,445 --> 00:41:34,448
TAKE MONTHS, SOMETIMES YEARS.

1000
00:41:34,622 --> 00:41:35,754
YOU TELL YOUR FRIENDS

1001
00:41:35,928 --> 00:41:37,233
TO NAME THEIR PRICE.

1002
00:41:37,407 --> 00:41:38,017
I'M WILLING TO PAY ANYTHING

1003
00:41:38,191 --> 00:41:39,279
TO GET MARY OUT.

1004
00:41:39,453 --> 00:41:40,889
I KNOW YOU'RE A RICH MAN,

1005
00:41:41,063 --> 00:41:42,171
MR. MINK, BUT YOU COULD SPEND

1006
00:41:42,195 --> 00:41:43,355
YOUR ENTIRE FORTUNE AND STILL

1007
00:41:43,413 --> 00:41:44,850
NOT GUARANTEE HER FREEDOM.

1008
00:41:45,024 --> 00:41:46,064
THE SLAVE OWNERS ARE READY

1009
00:41:46,199 --> 00:41:46,895
TO KILL ANYONE CAUGHT HELPING

1010
00:41:47,069 --> 00:41:48,201
THE FUGITIVES.

1011
00:41:48,375 --> 00:41:49,395
THEY EVEN THREATEN THEIR OWN

1012
00:41:49,419 --> 00:41:49,985
SLAVES WITH DEATH IF THEY

1013
00:41:50,159 --> 00:41:50,986
TRY TO ESCAPE.

1014
00:41:51,160 --> 00:41:52,901
THE TRUTH IS, THE MAN

1015
00:41:53,075 --> 00:41:54,139
HOLDING YOUR DAUGHTER WOULD

1016
00:41:54,163 --> 00:41:54,773
PROBABLY RATHER SEE HER HANG

1017
00:41:54,947 --> 00:41:55,991
THAN SET FREE.

1018
00:41:56,165 --> 00:41:57,906
I DON'T THINK YOU REALIZE

1019
00:41:58,080 --> 00:41:59,125
WHO YOU'RE DEALING WITH,

1020
00:41:59,299 --> 00:42:00,474
MISS SHADD.

1021
00:42:00,648 --> 00:42:02,389
IF YOUR FRIEND'S NOT WILLING

1022
00:42:02,563 --> 00:42:04,913
TO GET MARY OUT QUICKLY, I WILL

1023
00:42:05,087 --> 00:42:05,653
GO TO VIRGINIA AND BRING HER

1024
00:42:05,827 --> 00:42:08,090
HOME MYSELF.

1025
00:42:08,264 --> 00:42:09,962
I'll BURN IN BEFORE.

1026
00:42:10,136 --> 00:42:11,311
SHE SUFFERS A MOMENT LONGER.

1027
00:42:15,097 --> 00:42:16,534
WE'LL HELP YOU, MR. MINK.

1028
00:42:25,455 --> 00:42:26,575
I FOUND THIS MAN IN BUFFALO.

1029
00:42:29,285 --> 00:42:30,069
JAMES, I CAN'T STAY

1030
00:42:30,243 --> 00:42:31,374
HERE ALONE.

1031
00:42:31,549 --> 00:42:33,028
I'VE ALREADY FAILED MARY,

1032
00:42:33,202 --> 00:42:34,202
AND I WON'T MAKE MATTERS

1033
00:42:34,290 --> 00:42:35,290
WORSE BY PUTTING YOU

1034
00:42:35,335 --> 00:42:36,335
IN DANGER, AS WELL.

1035
00:42:36,466 --> 00:42:37,163
AND I WON'T RISK LOSING

1036
00:42:37,337 --> 00:42:38,337
EITHER ONE OF YOU.

1037
00:42:38,468 --> 00:42:39,295
I HAVE ALWAYS TRIED TO DO

1038
00:42:39,469 --> 00:42:40,209
WHAT YOU'VE ASKED OF ME.

1039
00:42:40,383 --> 00:42:41,383
THIS TIME, I CAN'T.

1040
00:42:41,428 --> 00:42:42,168
SHE'S MY DAUGHTER, TOO.

1041
00:42:42,342 --> 00:42:43,952
IT'S IMPOSSIBLE.

1042
00:42:44,126 --> 00:42:45,345
THE SOUTH IS NO PLACE FOR A

1043
00:42:45,519 --> 00:42:46,955
BLACK MAN AND HIS WHITE WIFE.

1044
00:42:47,129 --> 00:42:48,391
JAMES, THIS LIFE WE HAVE

1045
00:42:48,566 --> 00:42:51,438
HERE, THIS HOME, WITHOUT YOU,

1046
00:42:51,612 --> 00:42:52,918
WITHOUT MARY, WHAT COULD IT

1047
00:42:53,092 --> 00:42:54,441
MEAN TO ME?

1048
00:42:54,615 --> 00:42:56,661
NOW, I AM GOING WITH YOU.

1049
00:43:03,363 --> 00:43:04,886
SOMETHING'S WRONG, JAMES.

1050
00:43:05,060 --> 00:43:05,670
SHE CAN'T HAVE MEANT US

1051
00:43:05,844 --> 00:43:06,844
TO COME HERE.

1052
00:43:06,932 --> 00:43:07,932
NO, THIS HAS TO BE IT.

1053
00:43:09,543 --> 00:43:11,284
WELL, WELL, IT LOOKS LIKE WE

1054
00:43:11,458 --> 00:43:13,242
GOT OUT-OF-TOWNERS HERE, BOYS.

1055
00:43:17,682 --> 00:43:19,031
DIDN'T YOU FOLKS KNOW IT

1056
00:43:19,205 --> 00:43:21,250
ISN'T HEALTHY FOR A COLORED MAN

1057
00:43:21,424 --> 00:43:23,818
TO BE OUT AFTER DARK?

1058
00:43:23,992 --> 00:43:26,081
PLEASE, I'M NOT ARMED.

1059
00:43:26,255 --> 00:43:27,909
I'll DO AS YOU ASK.

1060
00:43:28,083 --> 00:43:30,129
JUST LEAVE MY WIFE ALONE.

1061
00:43:30,303 --> 00:43:31,521
SHE'S YOUR WIFE?

1062
00:43:31,696 --> 00:43:33,828
YES.

1063
00:43:34,002 --> 00:43:35,743
WHAT'S YOUR NAME?

1064
00:43:35,917 --> 00:43:38,877
JAMES MINK.

1065
00:43:39,051 --> 00:43:40,748
SORRY IF WE SCARED YOU.

1066
00:43:40,922 --> 00:43:41,922
THERE'S A RUNAWAY FAMILY

1067
00:43:42,054 --> 00:43:43,214
INSIDE, AND WE'RE TAKING THEM

1068
00:43:43,316 --> 00:43:45,361
OVER THE BORDER TOMORROW.

1069
00:43:45,535 --> 00:43:46,556
THE STREET'S BEEN CRAWLING

1070
00:43:46,580 --> 00:43:48,147
WITH SLAVE-CATCHERS.

1071
00:43:48,321 --> 00:43:49,801
BIDDY'S WIRE SAID YOU HAVE

1072
00:43:49,975 --> 00:43:52,325
TO GET TO NEWCASTLE.

1073
00:43:52,499 --> 00:43:53,674
THE BEST BET WILL BE TO GO

1074
00:43:53,848 --> 00:43:54,675
THROUGH HAGERSTOWN,

1075
00:43:54,849 --> 00:43:55,894
MARYLAND, THAT'LL BE

1076
00:43:56,068 --> 00:43:56,895
THE FURTHEST POINT SOUTH

1077
00:43:57,069 --> 00:43:58,418
IN FREE TERRITORY.

1078
00:43:58,592 --> 00:43:59,592
THEN CATCH THE DAY TRAIN

1079
00:43:59,680 --> 00:44:02,074
TO VIRGINIA.

1080
00:44:02,248 --> 00:44:03,466
WE'LL NEED LODGING.

1081
00:44:03,641 --> 00:44:05,164
YOU'LL STAY HERE TONIGHT.

1082
00:44:05,338 --> 00:44:06,992
BUT FROM NOW ON, YOU WILL

1083
00:44:07,166 --> 00:44:08,994
TRAVEL ONLY BY DAY.

1084
00:44:09,168 --> 00:44:12,780
THERE ARE SAFE HOUSES HERE,

1085
00:44:12,954 --> 00:44:14,956
HERE, AND HERE.

1086
00:44:15,130 --> 00:44:15,740
MAKE SURE YOU REACH THEM

1087
00:44:15,914 --> 00:44:17,089
BY SUNDOWN.

1088
00:44:17,263 --> 00:44:19,352
WHEN YOU GET TO NEWCASTLE,

1089
00:44:19,526 --> 00:44:21,354
FIND THE QUAKER CHURCH FIRST

1090
00:44:21,528 --> 00:44:23,661
THING, AND THE MINISTER THERE

1091
00:44:23,835 --> 00:44:24,487
WILL HELP YOU THE REST

1092
00:44:24,662 --> 00:44:25,750
OF THE WAY.

1093
00:44:25,924 --> 00:44:26,924
WHY THE QUAKERS?

1094
00:44:30,232 --> 00:44:33,453
DOWN SOUTH, MR. MINK, BELIEF

1095
00:44:33,627 --> 00:44:36,804
IN JESUS IS NOT SURE SIGN OF

1096
00:44:36,978 --> 00:44:39,198
GOODNESS, EXCEPT AMONG

1097
00:44:39,372 --> 00:44:40,634
THE FOOT-WASHERS.

1098
00:44:49,338 --> 00:44:50,470
I WOULD LIKE TO BOOK

1099
00:44:50,644 --> 00:44:52,080
PASSAGE FOR TWO TO NEWCASTLE.

1100
00:44:52,254 --> 00:44:53,429
$6 WILL BUY YOUR MASTER

1101
00:44:53,603 --> 00:44:55,954
TWO SEATS, BOY. BUT IF YOU WANT

1102
00:44:56,128 --> 00:44:57,288
TO GO SOUTH YOU'RE GONNA HAVE

1103
00:44:57,433 --> 00:44:58,513
TO POST A BOND ON YOUR HEAD

1104
00:44:58,565 --> 00:44:59,305
BEFORE GETTING ON THAT TRAIN.

1105
00:44:59,479 --> 00:45:00,132
I DON'T THINK YOU

1106
00:45:00,306 --> 00:45:01,046
UNDERSTAND, SIR.

1107
00:45:01,220 --> 00:45:02,743
I'M A FREE MAN.

1108
00:45:02,917 --> 00:45:04,658
I HAVE TO SEE YOUR

1109
00:45:04,832 --> 00:45:06,312
PAPERS, THEN.

1110
00:45:06,486 --> 00:45:07,617
I BEG YOUR PARDON?

1111
00:45:07,792 --> 00:45:08,618
IF YOU'RE FREE, JUST SHOW ME

1112
00:45:08,793 --> 00:45:09,793
YOUR PAPERS,

1113
00:45:09,924 --> 00:45:11,709
OR MOVE ALONG.

1114
00:45:11,883 --> 00:45:12,579
I SAID BEFORE,

1115
00:45:12,753 --> 00:45:13,798
I WAS A FREE MAN.

1116
00:45:13,972 --> 00:45:14,992
MY WORD SHOULD BE SUFFICIENT.

1117
00:45:15,016 --> 00:45:15,582
WHO DO YOU THINK YOU'RE

1118
00:45:15,756 --> 00:45:16,801
TALKING TO?

1119
00:45:16,975 --> 00:45:17,976
WHAT'S THE PROBLEM HERE?

1120
00:45:18,150 --> 00:45:19,214
THE BOY HERE SAYS HE'S FREE,

1121
00:45:19,238 --> 00:45:20,805
BUT HE AIN'T GOT NO PAPERS.

1122
00:45:20,979 --> 00:45:21,544
HE DON'T LOOK LIKE

1123
00:45:21,719 --> 00:45:22,850
NO RUNAWAY.

1124
00:45:23,024 --> 00:45:24,199
WHY DON'T WE GO LOOK AT

1125
00:45:24,373 --> 00:45:25,026
THE NOTICES, JUST THE SAME?

1126
00:45:25,200 --> 00:45:25,853
LET GO OF ME!

1127
00:45:26,027 --> 00:45:26,724
YOU'RE LUCKY

1128
00:45:26,898 --> 00:45:28,726
I DON'T SHOOT YOU.

1129
00:45:28,900 --> 00:45:29,727
YOU'VE BEEN NOTHING BUT

1130
00:45:29,901 --> 00:45:30,597
TROUBLE EVER SINCE YOUR

1131
00:45:30,771 --> 00:45:31,771
MASTER DIED.

1132
00:45:31,903 --> 00:45:32,903
NOW, YOU'LL APOLOGIZE

1133
00:45:32,947 --> 00:45:33,774
TO THESE GENTLEMEN.

1134
00:45:33,948 --> 00:45:34,993
YOU BETTER LEARN SOME

1135
00:45:35,167 --> 00:45:36,231
MANNERS, BOY, OR THAT SASSY

1136
00:45:36,255 --> 00:45:37,375
TONGUE OF YOURS IS GONNA GET

1137
00:45:37,430 --> 00:45:38,997
YOU STRUNG UP.

1138
00:45:43,392 --> 00:45:44,480
I'll TAKE RESPONSIBILITY.

1139
00:45:44,654 --> 00:45:45,133
FOR MY OWN SLAVE, THANK YOU

1140
00:45:45,307 --> 00:45:46,307
VERY MUCH.

1141
00:45:47,919 --> 00:45:50,486
NOW, YOU HEARD ME.

1142
00:45:50,660 --> 00:45:51,660
APOLOGIZE.

1143
00:45:55,927 --> 00:45:56,927
I'M SORRY, SIR.

1144
00:45:59,931 --> 00:46:00,931
I'M SORRY, SIR.

1145
00:46:09,157 --> 00:46:11,203
ALL ABOARD TO NEWCASTLE.

1146
00:46:11,377 --> 00:46:12,377
SO THAT'S WHAT IT IS NOW,

1147
00:46:12,465 --> 00:46:13,945
HUH?

1148
00:46:14,119 --> 00:46:16,338
JAMES MINK, SLAVE.

1149
00:46:16,512 --> 00:46:17,513
IT DOESN'T MATTER WHAT

1150
00:46:17,687 --> 00:46:19,167
ANYONE ELSE SEES RIGHT NOW.

1151
00:46:19,341 --> 00:46:20,734
ALL THAT MATTERS IS THAT

1152
00:46:20,908 --> 00:46:23,389
WE KNOW WHO WE REALLY ARE.

1153
00:46:23,563 --> 00:46:25,913
I'M SORRY I HAD TO HIT YOU.

1154
00:46:26,087 --> 00:46:27,088
NO, NO ONE MUST SEE YOU

1155
00:46:27,262 --> 00:46:28,524
TOUCHING ME, EVER.

1156
00:46:28,698 --> 00:46:30,135
TIME TO BOARD NOW, MA'AM.

1157
00:46:30,309 --> 00:46:31,832
YOUR CAN PUT

1158
00:46:32,006 --> 00:46:33,442
YOUR BAGS IN THE SLAVE CAR.

1159
00:46:33,616 --> 00:46:35,053
MA'AM.

1160
00:47:27,932 --> 00:47:28,758
A PROPER GENTLEMAN NEVER

1161
00:47:28,933 --> 00:47:29,411
EATS WITH HIS ELBOWS ON

1162
00:47:29,585 --> 00:47:30,585
THE TABLE.

1163
00:47:37,376 --> 00:47:38,159
YOU'RE COMING WITH ME,

1164
00:47:38,333 --> 00:47:39,333
YOU LITTLE HALF-BREED.

1165
00:47:39,378 --> 00:47:40,378
GET YOUR HANDS OFF ME.

1166
00:47:40,466 --> 00:47:41,728
I DIDN'T DO ANYTHING.

1167
00:47:41,902 --> 00:47:42,902
DON'T LIE TO ME.

1168
00:47:43,034 --> 00:47:44,114
I CAUGHT THAT LITTLE DARKIE

1169
00:47:44,209 --> 00:47:44,818
EPHRAIM CUTTING HIS NAME

1170
00:47:44,992 --> 00:47:45,992
INTO A TREE.

1171
00:47:46,080 --> 00:47:46,907
ONLY SOMEBODY WITH A FANCY

1172
00:47:47,081 --> 00:47:47,603
TONGUE COULD HAVE SHOWN

1173
00:47:47,777 --> 00:47:48,777
HIM THAT.

1174
00:47:48,909 --> 00:47:49,736
I KNOW YOU BEEN TEACHING HIM.

1175
00:47:49,910 --> 00:47:51,869
IT WASN'T HER, BOSS.

1176
00:47:52,043 --> 00:47:54,741
I LEARNED THE BOY MYSELF.

1177
00:47:54,915 --> 00:47:55,742
YOU'RE LYING, BOY.

1178
00:47:55,916 --> 00:47:56,916
AIN'T NO DUMB AS YOU

1179
00:47:56,961 --> 00:47:58,005
COULD LEARN READING

1180
00:47:58,179 --> 00:47:59,441
AND WRITING.

1181
00:48:03,881 --> 00:48:04,664
I STOLE IT FROM

1182
00:48:04,838 --> 00:48:05,838
THE MASTER'S STUDY.

1183
00:48:05,926 --> 00:48:06,709
I'VE BEEN LEARNING MYSELF

1184
00:48:06,884 --> 00:48:07,885
HOW TO READ.

1185
00:48:08,059 --> 00:48:08,755
NO, ELROI.

1186
00:48:08,929 --> 00:48:09,929
SHUSH UP, GIRL.

1187
00:48:12,977 --> 00:48:14,500
OH, YOU'RE LYING, ELROI.

1188
00:48:21,507 --> 00:48:23,726
"SHE WALKS IN BEAUTY

1189
00:48:23,901 --> 00:48:26,338
LIKE THE NIGHT

1190
00:48:26,512 --> 00:48:29,689
OF CLOUDLESS CLIMES

1191
00:48:29,863 --> 00:48:31,343
AND STARRY SKIES."

1192
00:48:33,432 --> 00:48:34,041
YOU MUST LIKE GETTING

1193
00:48:34,215 --> 00:48:35,215
WHIPPED, BOY.

1194
00:48:39,568 --> 00:48:40,918
FOR BREAKING THE

1195
00:48:41,092 --> 00:48:41,831
CODE OF READING AND WRITING,

1196
00:48:42,006 --> 00:48:43,224
THE LAW SAYS YOU GET

1197
00:48:43,398 --> 00:48:45,705
39 STRIPES.

1198
00:48:48,795 --> 00:48:50,318
LASH HIS HANDS.

1199
00:48:55,323 --> 00:48:56,716
HAVE IT YOUR OWN WAY, BOY.

1200
00:49:05,768 --> 00:49:07,031
ONE.

1201
00:49:10,904 --> 00:49:12,471
TWO.

1202
00:49:14,299 --> 00:49:15,299
PLEASE, LET ME STOP THIS.

1203
00:49:18,694 --> 00:49:20,653
THREE.

1204
00:49:20,827 --> 00:49:22,829
LET IT GO, CHILD.

1205
00:49:23,003 --> 00:49:24,787
THE BOSS GONNA HAVE ELROI'S

1206
00:49:24,962 --> 00:49:27,007
HIDE, NO MATTER WHAT.

1207
00:49:27,181 --> 00:49:30,576
FOUR.

1208
00:49:32,186 --> 00:49:33,971
FIVE.

1209
00:49:36,669 --> 00:49:37,887
SIX.

1210
00:49:40,107 --> 00:49:41,107
SEVEN.

1211
00:49:54,165 --> 00:49:58,778
ELROI, I'M SO SORRY.

1212
00:50:33,900 --> 00:50:35,684
PARDON ME, SIR.

1213
00:50:35,858 --> 00:50:37,991
WE WERE TOLD YOU DEAL

1214
00:50:38,165 --> 00:50:39,471
IN BLACK WOOL.

1215
00:50:39,645 --> 00:50:40,733
AND WHO TOLD YOU THAT?

1216
00:50:40,907 --> 00:50:41,907
A FRIEND OF A FRIEND.

1217
00:50:45,999 --> 00:50:47,131
I'VE MANY FRIENDS.

1218
00:50:47,305 --> 00:50:47,827
YOU'LL HAVE TO BE MORE

1219
00:50:48,001 --> 00:50:48,828
SPECIFIC.

1220
00:50:49,002 --> 00:50:49,568
ARE THESE RIDDLES

1221
00:50:49,742 --> 00:50:50,917
NECESSARY?

1222
00:50:51,091 --> 00:50:51,874
IT WAS A MAN IN BUFFALO,

1223
00:50:52,049 --> 00:50:54,921
HIS NAME WAS RISSER.

1224
00:50:55,095 --> 00:50:55,791
THEN YOU ARE FRIENDS

1225
00:50:55,965 --> 00:50:57,141
OF MINE.

1226
00:50:57,315 --> 00:50:58,379
I'M SORRY FOR THE INTRIGUE,

1227
00:50:58,403 --> 00:50:59,012
BUT THE SLAVE TRADE HAS MANY

1228
00:50:59,186 --> 00:51:00,361
EYES AND EARS.

1229
00:51:00,535 --> 00:51:02,581
I'M REVEREND ELI BRENNEMAN.

1230
00:51:02,755 --> 00:51:04,148
ELIZABETH MINK.

1231
00:51:06,976 --> 00:51:09,762
SO, REVEREND, HOW FAR

1232
00:51:09,936 --> 00:51:10,936
IS THIS CLAY PLANTATION?

1233
00:51:11,024 --> 00:51:11,546
A GOOD HOUR'S RIDE

1234
00:51:11,720 --> 00:51:12,895
FROM HERE.

1235
00:51:13,070 --> 00:51:14,593
GOOD. WE CAN GET THERE

1236
00:51:14,767 --> 00:51:15,985
BY NIGHTFALL.

1237
00:51:16,160 --> 00:51:18,684
MR. MINK, I CAUTION YOU

1238
00:51:18,858 --> 00:51:20,164
ABOUT BEING TOO HASTY.

1239
00:51:20,338 --> 00:51:21,469
GETTING A SLAVE OFF A

1240
00:51:21,643 --> 00:51:22,427
PLANTATION IS VERY DANGEROUS.

1241
00:51:22,601 --> 00:51:23,906
BEFORE WE DO ANYTHING,

1242
00:51:24,081 --> 00:51:25,952
WE'RE GONNA NEED A PLAN.

1243
00:51:26,126 --> 00:51:28,868
MARY IS NOT A SLAVE, SIR.

1244
00:51:29,042 --> 00:51:31,827
AND I ALREADY HAVE A PLAN.

1245
00:51:32,001 --> 00:51:33,001
WE'LL SLIP IN THERE

1246
00:51:33,090 --> 00:51:33,612
BY NIGHTFALL, AND WE'LL GET

1247
00:51:33,786 --> 00:51:34,787
MARY OUT.

1248
00:51:34,961 --> 00:51:36,789
YOU MIGHT MANAGE THAT.

1249
00:51:36,963 --> 00:51:37,963
YOU MIGHT EVEN GET HER

1250
00:51:38,095 --> 00:51:39,183
ALL THE WAY BACK TO TOWN.

1251
00:51:39,357 --> 00:51:40,397
BUT HOW DO YOU PLAN TO GET

1252
00:51:40,532 --> 00:51:41,881
OUT OF VIRGINIA WITH EVERY

1253
00:51:42,055 --> 00:51:42,882
MARSHAL AND SLAVE-CATCHER

1254
00:51:43,056 --> 00:51:44,056
FROM HERE TO THE BORDER

1255
00:51:44,144 --> 00:51:45,189
LOOKING FOR A FAIR-SKINNED

1256
00:51:45,363 --> 00:51:46,407
RUNAWAY, A COLORED MAN

1257
00:51:46,581 --> 00:51:48,322
AND A WHITE WOMAN?

1258
00:51:48,496 --> 00:51:50,150
MR. MINK, IF YOU'RE CAUGHT,

1259
00:51:50,324 --> 00:51:52,370
YOU COULD BE SOLD AS A SLAVE,

1260
00:51:52,544 --> 00:51:53,849
AND ELIZABETH COULD BE JAILED.

1261
00:51:54,023 --> 00:51:55,063
AND YOU DON'T WANT TO KNOW

1262
00:51:55,155 --> 00:51:56,235
WHAT WILL HAPPEN TO MARY IF

1263
00:51:56,287 --> 00:51:57,447
THEY HAVE TO SEND HER BACK TO

1264
00:51:57,505 --> 00:51:59,855
THE CLAY PLANTATION.

1265
00:52:00,029 --> 00:52:02,031
TELL US WHAT WE MUST DO.

1266
00:52:05,209 --> 00:52:08,690
MARY, I'M SORRY FOR WHAT

1267
00:52:08,864 --> 00:52:11,040
STROOPE DID TO ELROI.

1268
00:52:11,215 --> 00:52:12,259
HAD I KNOWN ABOUT IT,

1269
00:52:12,433 --> 00:52:13,478
I WOULD HAVE STOPPED IT.

1270
00:52:13,652 --> 00:52:14,827
YES, SIR.

1271
00:52:15,001 --> 00:52:16,481
HE'S A GOOD MAN,

1272
00:52:16,655 --> 00:52:17,917
MR. STROOPE.

1273
00:52:18,091 --> 00:52:20,833
HE JUST GETS CARRIED AWAY

1274
00:52:21,007 --> 00:52:22,574
SOMETIMES.

1275
00:52:27,927 --> 00:52:30,756
MY, YOU ARE BEAUTIFUL.

1276
00:52:30,930 --> 00:52:34,063
OH!

1277
00:52:34,238 --> 00:52:37,066
SHH. IT'S JUST A SCRATCH.

1278
00:52:41,201 --> 00:52:42,594
NO, DON'T.

1279
00:52:42,768 --> 00:52:44,465
PLEASE, PLEASE.

1280
00:52:44,639 --> 00:52:45,423
MARY.

1281
00:52:45,597 --> 00:52:46,075
PLEASE, STOP IT.

1282
00:52:46,250 --> 00:52:47,512
MARY.

1283
00:52:47,686 --> 00:52:49,427
DON'T YOU EVER TOUCH ME

1284
00:52:49,601 --> 00:52:51,907
AGAIN.

1285
00:52:52,081 --> 00:52:52,560
I THINK YOU'RE FORGETTING

1286
00:52:52,734 --> 00:52:53,734
WHO I AM.

1287
00:52:53,866 --> 00:52:55,084
I PAID A GREAT DEAL OF MONEY

1288
00:52:55,259 --> 00:52:56,390
FOR YOU.

1289
00:52:56,564 --> 00:52:58,175
I'll DO WITH YOU AS I PLEASE!

1290
00:53:34,994 --> 00:53:35,560
YOU SEE THAT BUNCH OF

1291
00:53:35,734 --> 00:53:37,997
STARS THERE?

1292
00:53:38,171 --> 00:53:39,738
THE SLAVE FOLK CALL THAT

1293
00:53:39,912 --> 00:53:42,523
"THE DRINKING GOURD."

1294
00:53:42,697 --> 00:53:44,438
THE HANDLE POINTS NORTH,

1295
00:53:44,612 --> 00:53:46,658
TOWARD THE PROMISED LAND.

1296
00:53:46,832 --> 00:53:47,833
TO MY HOME.

1297
00:53:50,009 --> 00:53:51,053
YES.

1298
00:53:54,535 --> 00:53:55,884
ELROI, WHAT DID IT FEEL LIKE

1299
00:53:56,058 --> 00:53:58,017
THAT TIME, OUT THERE ON

1300
00:53:58,191 --> 00:53:59,323
THE RUN?

1301
00:54:04,502 --> 00:54:06,765
THEM THREE DAYS WERE

1302
00:54:06,939 --> 00:54:08,723
SWEET AS HONEY, EVEN WITH

1303
00:54:08,897 --> 00:54:12,684
THEM DOGS ON MY HEELS.

1304
00:54:12,858 --> 00:54:14,773
I WAS MY OWN MASSA,

1305
00:54:14,947 --> 00:54:16,122
MY OWN MAN.

1306
00:54:20,648 --> 00:54:21,997
ONCE YOU GET A TASTE OF

1307
00:54:22,171 --> 00:54:24,696
FREEDOM, YOU DON'T NEVER LOSE

1308
00:54:24,870 --> 00:54:26,045
YOUR HUNGER FOR IT.

1309
00:54:29,222 --> 00:54:29,918
DID YOU EVER IMAGINE TRYING

1310
00:54:30,092 --> 00:54:31,093
TO RUN AGAIN?

1311
00:54:34,009 --> 00:54:36,360
HMM. I USED TO THINK

1312
00:54:36,534 --> 00:54:38,057
ABOUT IT EVERY NIGHT.

1313
00:54:43,367 --> 00:54:46,892
JUST NOW, I GOT MORE

1314
00:54:47,066 --> 00:54:48,067
REASON TO STAY.

1315
00:54:51,984 --> 00:54:53,333
ELROI...

1316
00:54:57,206 --> 00:54:58,991
I DON'T WANT TO HURT YOU,

1317
00:54:59,165 --> 00:55:01,167
BUT I CAN'T LIVE THIS WAY

1318
00:55:01,341 --> 00:55:03,648
FOR THE REST OF MY LIFE,

1319
00:55:03,822 --> 00:55:05,302
I JUST CAN'T.

1320
00:55:10,959 --> 00:55:12,091
I KNOWS YOU CAN'T, MARY.

1321
00:55:14,615 --> 00:55:15,615
I KNOW.

1322
00:55:20,099 --> 00:55:23,276
LOOKY HERE, A WHOLE MESS

1323
00:55:23,450 --> 00:55:25,713
OF POTATOES, ALL PEELED

1324
00:55:25,887 --> 00:55:28,368
AND READY TO COOK.

1325
00:55:28,542 --> 00:55:30,588
I WONDER WHO DONE THAT?

1326
00:55:32,198 --> 00:55:32,938
SOMEONE WHO HAD

1327
00:55:33,112 --> 00:55:35,375
A GOOD TEACHER.

1328
00:55:35,549 --> 00:55:36,549
TAKE THESE SWEETS ON INTO

1329
00:55:36,681 --> 00:55:38,073
THE PARLOR.

1330
00:55:38,247 --> 00:55:39,367
MRS. CLAY'S WAITING ON THEM.

1331
00:55:46,168 --> 00:55:47,735
THE CLAYS HAVE OWNED THIS

1332
00:55:47,909 --> 00:55:48,910
PROPERTY FOR 150 YEARS,

1333
00:55:49,084 --> 00:55:50,608
MRS. CARBERRY.

1334
00:55:50,782 --> 00:55:51,782
INDEED.

1335
00:55:54,655 --> 00:55:55,655
FOOL GIRL, LOOK WHAT

1336
00:55:55,743 --> 00:55:56,863
YOU'VE DONE, THEY'RE RUINED!

1337
00:55:56,918 --> 00:55:58,006
GET DOWN AND CLEAN UP

1338
00:55:58,180 --> 00:55:59,225
THAT MESS.

1339
00:55:59,399 --> 00:56:00,182
OH, NO, PLEASE.

1340
00:56:00,357 --> 00:56:01,967
IT'S MY FAULT.

1341
00:56:02,141 --> 00:56:02,881
I'M AFRAID I GAVE YOUR LITTLE

1342
00:56:03,055 --> 00:56:04,055
GIRL QUITE A START.

1343
00:56:04,186 --> 00:56:07,712
HERE, DEAR, LET ME HELP YOU.

1344
00:56:07,886 --> 00:56:09,061
REALLY, THAT'S NOT

1345
00:56:09,235 --> 00:56:11,106
NECESSARY, MRS. CARBERRY.

1346
00:56:11,280 --> 00:56:11,846
OH, SHE'S SUCH A NERVOUS

1347
00:56:12,020 --> 00:56:12,760
LITTLE THING.

1348
00:56:12,934 --> 00:56:13,934
I DON'T MIND HELPING.

1349
00:56:15,937 --> 00:56:17,504
THERE, NOW I'M SURE SHE'LL

1350
00:56:17,678 --> 00:56:19,550
BE JUST FINE.

1351
00:56:19,724 --> 00:56:21,900
MR. CLAY, I DON'T MEAN TO BE

1352
00:56:22,074 --> 00:56:22,901
PRESUMPTUOUS, BUT MY SLAVE

1353
00:56:23,075 --> 00:56:24,075
JAMES IS RATHER PARCHED

1354
00:56:24,163 --> 00:56:25,773
AFTER OUR LONG RIDE.

1355
00:56:25,947 --> 00:56:27,819
I WONDER IF YOU COULD SEND

1356
00:56:27,993 --> 00:56:29,013
THE GIRL OUT TO THE STABLES

1357
00:56:29,037 --> 00:56:30,058
WITH A COOL DRINK FOR HIM.

1358
00:56:30,082 --> 00:56:32,650
SEE TO IT, MARY.

1359
00:56:32,824 --> 00:56:33,824
THANK YOU.

1360
00:57:06,945 --> 00:57:08,163
ONCE.

1361
00:57:11,776 --> 00:57:13,212
TWICE.

1362
00:57:29,054 --> 00:57:30,185
I'D LAY AWAKE AT NIGHT

1363
00:57:30,359 --> 00:57:31,399
TRYING TO REMEMBER YOU AND

1364
00:57:31,448 --> 00:57:34,102
MAMA, YOUR VOICES, YOUR

1365
00:57:34,276 --> 00:57:36,757
CLOTHES, ANYTHING TO HANG ONTO

1366
00:57:36,931 --> 00:57:39,760
UNTIL YOU CAME FOR ME.

1367
00:57:39,934 --> 00:57:41,153
BUT AFTER A WHILE, IT GOT

1368
00:57:41,327 --> 00:57:42,154
HARDER AND HARDER TO

1369
00:57:42,328 --> 00:57:44,983
PICTURE YOU.

1370
00:57:45,157 --> 00:57:46,332
AND I REALIZED THAT MY WORST

1371
00:57:46,506 --> 00:57:48,769
FEAR WAS THAT I MIGHT FORGET

1372
00:57:48,943 --> 00:57:51,468
YOU, AND THAT YOU MIGHT

1373
00:57:51,642 --> 00:57:53,600
FORGET ME.

1374
00:57:53,774 --> 00:57:55,602
MARY.

1375
00:58:00,128 --> 00:58:00,912
IT'S ALL RIGHT, DADDY.

1376
00:58:01,086 --> 00:58:02,479
HE'S A FRIEND.

1377
00:58:02,653 --> 00:58:04,742
MY NAME IS ELROI, SIR.

1378
00:58:07,614 --> 00:58:08,694
I'M GONNA HELP YOU GET YOUR

1379
00:58:08,833 --> 00:58:10,008
DAUGHTER OFF THIS PLACE.

1380
00:58:15,492 --> 00:58:17,624
TELL ME, MRS. CARBERRY,

1381
00:58:17,798 --> 00:58:19,539
WHAT LED YOU TO BELIEVE I MIGHT

1382
00:58:19,713 --> 00:58:20,833
BE INTERESTED IN SELLING OFF

1383
00:58:20,932 --> 00:58:22,499
A PIECE OF MY LAND?

1384
00:58:22,673 --> 00:58:24,892
AN EDUCATED GUESS, MR. CLAY.

1385
00:58:25,066 --> 00:58:27,286
ACCORDING TO YOUR NEIGHBORS,

1386
00:58:27,460 --> 00:58:28,481
THAT PARCEL HAS LAIN FALLOW

1387
00:58:28,505 --> 00:58:29,767
FOR SEVERAL YEARS.

1388
00:58:29,941 --> 00:58:31,246
AND WITH TOBACCO PRICES

1389
00:58:31,420 --> 00:58:32,857
DOWN THE WAY THEY ARE,

1390
00:58:33,031 --> 00:58:33,727
I THOUGHT YOU MIGHT BE OPEN

1391
00:58:33,901 --> 00:58:35,773
TO A FAIR OFFER.

1392
00:58:35,947 --> 00:58:36,991
NOW, OF COURSE, IF I'M

1393
00:58:37,165 --> 00:58:38,365
MISTAKEN, THERE MIGHT BE OTHER

1394
00:58:38,471 --> 00:58:40,081
PLANTERS I COULD TALK TO.

1395
00:58:40,255 --> 00:58:42,040
THAT WON'T BE NECESSARY.

1396
00:58:42,214 --> 00:58:43,215
YOUR OFFER IS GENEROUS.

1397
00:58:43,389 --> 00:58:44,042
I'M SURE WE CAN COME TO

1398
00:58:44,216 --> 00:58:45,216
AN AGREEMENT.

1399
00:58:45,347 --> 00:58:46,566
BUT I AM CURIOUS ABOUT

1400
00:58:46,740 --> 00:58:47,740
ONE THING.

1401
00:58:47,828 --> 00:58:49,743
30 ACRES IS NO SMALL

1402
00:58:49,917 --> 00:58:51,702
UNDERTAKING.

1403
00:58:51,876 --> 00:58:52,529
HOW WILL YOU MANAGE ON

1404
00:58:52,703 --> 00:58:53,921
YOUR OWN?

1405
00:58:54,095 --> 00:58:55,140
WE IRISH HAVE NEVER BEEN

1406
00:58:55,314 --> 00:58:56,421
AFRAID OF HARD WORK, MR. CLAY.

1407
00:58:56,445 --> 00:58:57,229
BESIDES, I LEARNED A GREAT

1408
00:58:57,403 --> 00:58:58,143
DEAL ABOUT BUSINESS FROM

1409
00:58:58,317 --> 00:59:00,188
MY LATE HUSBAND.

1410
00:59:00,362 --> 00:59:01,146
A GOOD BUSINESS MIND WILL

1411
00:59:01,320 --> 00:59:02,843
ONLY TAKE YOU SO FAR.

1412
00:59:03,017 --> 00:59:04,017
YOU'LL NEED STRONG BACKS

1413
00:59:04,062 --> 00:59:05,454
TO WORK THIS LAND.

1414
00:59:05,629 --> 00:59:07,631
I'M SORRY,

1415
00:59:07,805 --> 00:59:09,197
I DON'T UNDERSTAND.

1416
00:59:09,371 --> 00:59:10,851
WELL, SLAVES, DEAR.

1417
00:59:11,025 --> 00:59:12,157
SURELY YOU'LL WANT TO BUY

1418
00:59:12,331 --> 00:59:13,331
YOURSELF SOME GOOD.

1419
00:59:15,334 --> 00:59:16,465
AYE, OF COURSE, I'M SORRY.

1420
00:59:16,640 --> 00:59:18,032
I'VE HAD A VERY LONG DAY.

1421
00:59:18,206 --> 00:59:20,948
IN FACT, I'VE TAKEN UP FAR

1422
00:59:21,122 --> 00:59:22,297
TOO MUCH OF YOUR TIME.

1423
00:59:22,471 --> 00:59:23,690
I WONDER IF YOU'D BE KIND

1424
00:59:23,864 --> 00:59:24,604
ENOUGH TO ASK MY DRIVER

1425
00:59:24,778 --> 00:59:26,040
TO COME ROUND.

1426
00:59:26,214 --> 00:59:27,389
OH, NONSENSE, MRS. CARBERRY,

1427
00:59:27,564 --> 00:59:28,826
YOU'LL BE OUR GUEST TONIGHT.

1428
00:59:29,000 --> 00:59:30,001
THEN WE CAN CONCLUDE OUR

1429
00:59:30,175 --> 00:59:31,785
BUSINESS IN THE MORNING.

1430
00:59:31,959 --> 00:59:33,787
WELL, I'M VERY GRATEFUL.

1431
00:59:33,961 --> 00:59:35,049
WHERE SHALL I HAVE

1432
00:59:35,223 --> 00:59:36,311
MY SLAVE SLEEP?

1433
00:59:36,485 --> 00:59:38,139
I WOULDN'T FRET, DEAR.

1434
00:59:38,313 --> 00:59:39,837
I'M SURE HE'S ALREADY FOUND

1435
00:59:40,011 --> 00:59:40,533
HIMSELF A NICE SPOT FOR

1436
00:59:40,707 --> 00:59:41,707
THE NIGHT.

1437
00:59:41,839 --> 00:59:42,927
IF THERE'S ONE THING

1438
00:59:43,101 --> 00:59:45,756
LOVE TO DO, IT'S SLEEP.

1439
00:59:45,930 --> 00:59:47,758
NOW, IT TAKE A MAN

1440
00:59:47,932 --> 00:59:48,672
TEN MINUTES TO MAKE IT TO

1441
00:59:48,846 --> 00:59:50,456
THE CREEK, FOLLOW IT

1442
00:59:50,630 --> 00:59:51,849
DOWNSTREAM TO WHERE IT GETS

1443
00:59:52,023 --> 00:59:53,087
SHALLOW, AND THEN FROM THERE,

1444
00:59:53,111 --> 00:59:53,720
IT'S JUST A STRETCH OF FIELD

1445
00:59:53,894 --> 00:59:54,982
TO NEWCASTLE.

1446
00:59:55,156 --> 00:59:56,264
THAT WOULD TAKE AN ETERNITY.

1447
00:59:56,288 --> 00:59:57,288
I SAY WE USE THE SHADE OF

1448
00:59:57,332 --> 00:59:58,420
THE TREES, AND FOLLOW

1449
00:59:58,595 --> 00:59:59,702
THE ROAD ALL THE WAY TO TOWN.

1450
00:59:59,726 --> 01:00:00,901
THAT WOULD BE HALF THE TIME.

1451
01:00:01,075 --> 01:00:02,075
NOW, THAT'S FOOL-HEADED.

1452
01:00:02,163 --> 01:00:03,469
THEM SLAVE-CATCHERS' HOUNDS

1453
01:00:03,643 --> 01:00:04,723
WILL BE ON YOUR TAIL BEFORE

1454
01:00:04,775 --> 01:00:05,427
YOU'RE A MILE OFF

1455
01:00:05,602 --> 01:00:06,385
THE PLANTATION.

1456
01:00:06,559 --> 01:00:07,559
THAT CREEK'S THE ONLY

1457
01:00:07,647 --> 01:00:08,343
WAY TO THROW THEM DOGS.

1458
01:00:08,517 --> 01:00:11,085
YOU TAKE YOUR WAY,

1459
01:00:11,259 --> 01:00:12,419
YOU'RE GONNA GET MARY KILLED.

1460
01:00:12,478 --> 01:00:13,914
LOOK, THIS IS MY PLAN.

1461
01:00:14,088 --> 01:00:15,133
YOU NEED TO MIND YOUR OWN

1462
01:00:15,307 --> 01:00:16,507
BUSINESS AND STAY OUT OF MINE.

1463
01:00:26,057 --> 01:00:26,579
HOW COULD YOU SAY THAT

1464
01:00:26,753 --> 01:00:28,407
TO HIM?

1465
01:00:28,581 --> 01:00:29,581
MARY.

1466
01:00:38,809 --> 01:00:40,245
MRS. CARBERRY.

1467
01:00:42,595 --> 01:00:44,597
YES?

1468
01:00:44,771 --> 01:00:45,851
MRS. CARBERRY, IF I MAY ASK

1469
01:00:45,990 --> 01:00:48,079
A PERSONAL QUESTION.

1470
01:00:48,253 --> 01:00:51,560
YOUR HUSBAND, WAS HIS ILLNESS

1471
01:00:51,735 --> 01:00:53,780
A LENGTHY ONE?

1472
01:00:53,954 --> 01:00:55,695
NO, HE DIED RATHER

1473
01:00:55,869 --> 01:00:57,654
SUDDENLY, ACTUALLY.

1474
01:00:57,828 --> 01:01:02,528
OH, I'M SORRY.

1475
01:01:02,702 --> 01:01:03,822
BUT PERHAPS IT WAS GOD'S WAY

1476
01:01:03,921 --> 01:01:04,965
TO SPARE YOU THE PAIN OF

1477
01:01:05,139 --> 01:01:07,098
LOSING HIM GRADUALLY.

1478
01:01:07,272 --> 01:01:09,361
YES, PERHAPS.

1479
01:01:12,233 --> 01:01:13,713
YOU'RE VERY BRAVE TO BE

1480
01:01:13,887 --> 01:01:14,583
STARTING A NEW LIFE

1481
01:01:14,758 --> 01:01:15,758
FOR YOURSELF.

1482
01:01:15,846 --> 01:01:16,846
WELL, THANK YOU.

1483
01:01:18,413 --> 01:01:20,241
WELL, GOOD NIGHT.

1484
01:01:20,415 --> 01:01:21,721
GOOD NIGHT.

1485
01:01:58,671 --> 01:01:59,671
MARY?

1486
01:02:04,198 --> 01:02:05,678
I KNOW YOU HAVE

1487
01:02:05,852 --> 01:02:06,852
EVERY REASON TO HATE ME.

1488
01:02:13,468 --> 01:02:14,468
I ONLY WANTED THE BEST

1489
01:02:14,513 --> 01:02:15,688
FOR YOU.

1490
01:02:30,355 --> 01:02:32,183
I'M SORRY.

1491
01:02:37,318 --> 01:02:38,363
THANK YOU FOR YOUR

1492
01:02:38,537 --> 01:02:40,495
HOSPITALITY, MR. CLAY.

1493
01:02:40,669 --> 01:02:41,496
I'll WIRE MY BANK AS SOON AS

1494
01:02:41,670 --> 01:02:42,976
I GET BACK TO THE HOTEL.

1495
01:02:43,150 --> 01:02:43,760
I SHOULD HAVE MONEY FOR YOU

1496
01:02:43,934 --> 01:02:44,934
BY WEEK'S END.

1497
01:02:44,978 --> 01:02:45,631
I LOOK FORWARD TO YOUR

1498
01:02:45,805 --> 01:02:46,805
NEXT VISIT.

1499
01:02:46,937 --> 01:02:47,372
THANK YOU, SIR.

1500
01:02:47,546 --> 01:02:48,721
JAMES?

1501
01:03:11,091 --> 01:03:13,050
I HAVE THE DRAFT.

1502
01:03:13,224 --> 01:03:14,747
THAT'S A LOT TO PAY FOR LAND

1503
01:03:14,921 --> 01:03:16,357
WE WILL NEVER USE.

1504
01:03:16,531 --> 01:03:17,531
OH, JAMES, LOOK.

1505
01:03:20,492 --> 01:03:22,102
IT'S KITCHEL, JOHNSON'S MAN.

1506
01:03:22,276 --> 01:03:23,408
STAY HERE.

1507
01:03:23,582 --> 01:03:24,844
NO.

1508
01:03:25,018 --> 01:03:25,671
I SAID, STAY HERE.

1509
01:03:25,845 --> 01:03:26,845
STOP, PLEASE.

1510
01:03:33,026 --> 01:03:34,026
JOHNSON, THAT YOU?

1511
01:03:36,856 --> 01:03:38,597
JOHNSON?

1512
01:03:51,610 --> 01:03:52,610
JOHNSON?

1513
01:04:04,057 --> 01:04:05,450
KITCHEL.

1514
01:04:17,157 --> 01:04:18,985
WHERE'S WILLIAM JOHNSON?

1515
01:04:19,159 --> 01:04:20,279
I AIN'T TELLING YOU NOTHING.

1516
01:04:23,772 --> 01:04:25,557
WHERE IS HE?

1517
01:04:25,731 --> 01:04:27,037
JAMES!

1518
01:04:27,211 --> 01:04:28,275
GET OUT OF HERE, ELIZABETH.

1519
01:04:28,299 --> 01:04:29,299
REMEMBER WHY WE'VE COME.

1520
01:04:34,087 --> 01:04:35,132
GET ME SOME ROPE.

1521
01:04:37,264 --> 01:04:38,264
REVEREND BRENNEMAN?

1522
01:04:40,964 --> 01:04:42,182
WE MUST GO NOW.

1523
01:04:42,356 --> 01:04:43,357
I DON'T UNDERSTAND.

1524
01:04:43,531 --> 01:04:44,750
WILLIAM JOHNSON,

1525
01:04:44,924 --> 01:04:45,924
THAT WHO STOLE MARY,

1526
01:04:45,969 --> 01:04:47,318
HE'S IN TOWN.

1527
01:04:47,492 --> 01:04:49,015
I HAD A RUN-IN WITH HIS MAN.

1528
01:04:49,189 --> 01:04:49,929
I MADE SURE HE CAN'T FOLLOW US,

1529
01:04:50,103 --> 01:04:51,103
BUT IT WON'T BE LONG

1530
01:04:51,235 --> 01:04:52,366
BEFORE JOHNSON FINDS US.

1531
01:04:52,540 --> 01:04:53,324
BUT WE NEED MORE TIME.

1532
01:04:53,498 --> 01:04:54,542
WE DON'T HAVE TIME.

1533
01:04:54,716 --> 01:04:56,066
WE MUST GO NOW.

1534
01:04:56,240 --> 01:04:57,502
WE MAY NOT HAVE ANOTHER CHANCE.

1535
01:04:57,676 --> 01:04:58,807
THEN WE'LL HAVE TO MAKE DO.

1536
01:04:58,982 --> 01:04:59,808
AND MAY GOD ALMIGHTY

1537
01:04:59,983 --> 01:05:00,983
PROTECT US.

1538
01:05:19,959 --> 01:05:21,700
I'll WAIT FOR YOUR SIGN.

1539
01:05:21,874 --> 01:05:22,962
MRS. CARBERRY.

1540
01:05:23,136 --> 01:05:23,702
MR. CLAY, I'M SORRY

1541
01:05:23,876 --> 01:05:25,008
TO INTRUDE.

1542
01:05:25,182 --> 01:05:26,531
SOMETHING URGENT HAS COME UP,

1543
01:05:26,705 --> 01:05:27,769
AND I HAD TO SEE YOU AT ONCE.

1544
01:05:27,793 --> 01:05:28,793
PLEASE, COME IN.

1545
01:05:30,317 --> 01:05:31,317
HYAH.

1546
01:05:33,712 --> 01:05:34,931
MARY.

1547
01:05:35,105 --> 01:05:35,670
DADDY, WHAT ARE YOU

1548
01:05:35,844 --> 01:05:36,671
DOING HERE?

1549
01:05:36,845 --> 01:05:37,845
SOMETHING HAPPENED.

1550
01:05:37,977 --> 01:05:38,586
JOHNSON IS ON HIS WAY.

1551
01:05:38,760 --> 01:05:39,760
JOHNSON?

1552
01:05:39,848 --> 01:05:40,849
WE HAVE GOT TO GO.

1553
01:05:41,024 --> 01:05:41,850
BUT DADDY, I HAVEN'T EVEN

1554
01:05:42,025 --> 01:05:42,547
SAID GOODBYE TO INDIGO,

1555
01:05:42,721 --> 01:05:43,765
TO ELROI.

1556
01:05:43,940 --> 01:05:44,940
I WISH WE HAD TIME.

1557
01:05:45,071 --> 01:05:46,071
BUT WE'VE GOT...

1558
01:05:49,423 --> 01:05:50,423
YOU GOING, AIN'T YOU?

1559
01:05:53,079 --> 01:05:54,863
THEN I'M GOING WITH YOU.

1560
01:05:55,038 --> 01:05:56,038
ELROI, IF THEY CATCH YOU,

1561
01:05:56,126 --> 01:05:57,214
THEY'LL HANG YOU.

1562
01:05:57,388 --> 01:05:58,867
I GOT TO TAKE THAT CHANCE.

1563
01:05:59,042 --> 01:06:00,082
YOU CAN'T STAY HERE, AND I

1564
01:06:00,130 --> 01:06:01,740
CAN'T STAY HERE WITHOUT YOU.

1565
01:06:01,914 --> 01:06:02,523
ELROI, IT'LL BE MUCH

1566
01:06:02,697 --> 01:06:03,697
TOO DANGEROUS.

1567
01:06:03,829 --> 01:06:04,656
I DIDN'T MAKE PLANS FOR YOU.

1568
01:06:04,830 --> 01:06:05,657
I CAN HELP YOU, SIR.

1569
01:06:05,831 --> 01:06:06,875
I KNOW HOW THEM

1570
01:06:07,050 --> 01:06:07,746
SLAVE-CATCHERS DO THINGS.

1571
01:06:07,920 --> 01:06:09,139
IT'S TOO RISKY.

1572
01:06:09,313 --> 01:06:10,836
DADDY, I'M NOT LEAVING

1573
01:06:11,010 --> 01:06:12,010
WITHOUT HIM.

1574
01:06:18,496 --> 01:06:19,758
I'M SORRY FOR YOUR

1575
01:06:19,932 --> 01:06:21,629
TROUBLES, MRS. CARBERRY.

1576
01:06:21,803 --> 01:06:23,240
I HOPE THE QUESTIONS

1577
01:06:23,414 --> 01:06:24,414
CONCERNING YOUR HUSBAND'S

1578
01:06:24,502 --> 01:06:25,024
ESTATE CAN BE CLEARED UP

1579
01:06:25,198 --> 01:06:26,460
QUICKLY.

1580
01:06:26,634 --> 01:06:28,114
YES, I HOPE SO, TOO.

1581
01:06:28,288 --> 01:06:29,408
UNFORTUNATELY, IT'S A MATTER

1582
01:06:29,463 --> 01:06:30,638
I MUST SEE TO IN PERSON.

1583
01:06:30,812 --> 01:06:32,162
THANK YOU.

1584
01:06:32,336 --> 01:06:33,902
BUT I WANTED TO BE SURE THAT

1585
01:06:34,077 --> 01:06:34,773
OUR BUSINESS WAS CONCLUDED

1586
01:06:34,947 --> 01:06:35,556
BEFORE I LEFT FOR

1587
01:06:35,730 --> 01:06:36,818
THE CAROLINAS.

1588
01:06:36,993 --> 01:06:37,732
I THINK YOU'LL FIND THAT

1589
01:06:37,906 --> 01:06:38,907
IN ORDER, SIR.

1590
01:06:39,082 --> 01:06:40,431
I'M VERY GRATEFUL.

1591
01:06:40,605 --> 01:06:41,736
BUT SURELY THIS COULD HAVE

1592
01:06:41,910 --> 01:06:42,911
WAITED FOR YOUR RETURN.

1593
01:06:43,086 --> 01:06:45,088
BELIEVE ME, MR. CLAY,

1594
01:06:45,262 --> 01:06:46,828
NOTHING IS MORE IMPORTANT TO ME

1595
01:06:47,003 --> 01:06:48,004
THAN FINISHING THIS UP.

1596
01:06:49,657 --> 01:06:50,745
ELROI.

1597
01:06:54,010 --> 01:06:55,881
IVE BROUGHT YOU

1598
01:06:56,055 --> 01:06:57,796
SOME MORE FIREWOOD, MAMA.

1599
01:06:57,970 --> 01:06:59,711
IT'S GONNA LAST ME

1600
01:06:59,885 --> 01:07:01,234
A LONG TIME, SON.

1601
01:07:06,152 --> 01:07:06,979
MAMA, I GOT SOMETHING

1602
01:07:07,153 --> 01:07:09,155
TO TELL YOU.

1603
01:07:09,329 --> 01:07:10,504
LOOK HERE, ELROI, I MADE

1604
01:07:10,678 --> 01:07:12,158
YOUR FAVORITE, SWEET JAMS.

1605
01:07:25,824 --> 01:07:28,087
I LOVE YOU, BOY.

1606
01:07:31,221 --> 01:07:32,309
I LOVE YOU, TOO, MAMA.

1607
01:07:37,618 --> 01:07:41,013
GO, GO.

1608
01:08:06,038 --> 01:08:07,561
WHAT THE...

1609
01:08:19,269 --> 01:08:20,531
WHAT DO YOU KNOW ABOUT

1610
01:08:20,705 --> 01:08:21,705
THESE, BOY?

1611
01:08:21,793 --> 01:08:23,011
NOTHING, SIR.

1612
01:08:23,186 --> 01:08:23,969
YOU'D BEST NOT BE LYING

1613
01:08:24,143 --> 01:08:25,143
TO ME.

1614
01:08:31,324 --> 01:08:32,891
WHAT WE GOING TO DO NOW?

1615
01:08:33,065 --> 01:08:35,981
WHEN HE COME TO, HE GONNA

1616
01:08:36,155 --> 01:08:38,984
KNOW YOU'RE A PART OF THIS.

1617
01:08:39,158 --> 01:08:40,768
THEN WE'RE JUST GONNA HAVE

1618
01:08:40,942 --> 01:08:41,982
TO CONVINCE HIM OTHERWISE.

1619
01:08:51,562 --> 01:08:52,562
OH.

1620
01:09:11,886 --> 01:09:12,886
COME ON.

1621
01:09:40,045 --> 01:09:41,960
WHOA, GIRL.

1622
01:09:51,404 --> 01:09:52,404
THIS WAY!

1623
01:09:55,800 --> 01:09:58,150
HURRY, HURRY!

1624
01:10:01,327 --> 01:10:02,459
IN THE WAGON.

1625
01:10:23,131 --> 01:10:23,610
EVERYTHING SEEMS TO BE

1626
01:10:23,784 --> 01:10:24,872
IN ORDER.

1627
01:10:25,046 --> 01:10:26,178
WELL, IF YOU'LL JUST

1628
01:10:26,352 --> 01:10:27,092
COUNTERSIGN, THEN WE'LL BE

1629
01:10:27,266 --> 01:10:28,572
NEIGHBORS, MR. CLAY.

1630
01:10:28,746 --> 01:10:30,965
INDEED.

1631
01:10:36,971 --> 01:10:37,971
GET THE HORSES.

1632
01:10:41,106 --> 01:10:41,759
WHAT IS IT, STROOPE?

1633
01:10:41,933 --> 01:10:42,542
ESCAPE, SIR.

1634
01:10:42,716 --> 01:10:43,716
IT'S ELROI

1635
01:10:43,848 --> 01:10:44,848
AND THAT GIRL.

1636
01:10:44,979 --> 01:10:45,676
THEY KNOCKED ME AND

1637
01:10:45,850 --> 01:10:47,460
THE MA'AM'S COLD.

1638
01:10:47,634 --> 01:10:48,809
OH, NO.

1639
01:10:48,983 --> 01:10:49,593
AND ALL THE HORSES ARE

1640
01:10:49,767 --> 01:10:50,767
ACCOUNTED FOR.

1641
01:10:50,898 --> 01:10:52,049
I'M GUESSING THEY'RE ON FOOT.

1642
01:10:52,073 --> 01:10:53,073
MRS. CARBERRY, PLEASE

1643
01:10:53,161 --> 01:10:54,182
FORGIVE THIS INTERRUPTION.

1644
01:10:54,206 --> 01:10:55,033
OBVIOUSLY, I'M GOING TO BE

1645
01:10:55,207 --> 01:10:55,947
INDISPOSED FOR THE NEXT

1646
01:10:56,121 --> 01:10:57,775
WHO-KNOWS-HOW-LONG.

1647
01:10:57,949 --> 01:10:58,732
PERHAPS WE CAN CONTINUE

1648
01:10:58,906 --> 01:10:59,907
THIS BUSINESS LATER.

1649
01:11:00,081 --> 01:11:01,779
YES, OF COURSE.

1650
01:11:01,953 --> 01:11:02,997
GOOD DAY, THEN.

1651
01:11:03,171 --> 01:11:05,043
STROOPE, GATHER THE DOGS.

1652
01:11:12,485 --> 01:11:13,965
NO, MR. STROOPE,

1653
01:11:14,139 --> 01:11:15,271
PLEASE DON'T HURT ELROI.

1654
01:11:15,445 --> 01:11:16,445
GET OF MY WAY, INDIGO.

1655
01:11:16,576 --> 01:11:17,708
DON'T HURT MY BOY.

1656
01:11:25,890 --> 01:11:27,065
PLEASE, MASTER,

1657
01:11:27,239 --> 01:11:29,546
HE A GOOD BOY.

1658
01:11:29,720 --> 01:11:30,840
PLEASE, YOU LOVE OLD INDIGO.

1659
01:11:32,810 --> 01:11:34,159
DO IT FOR ME.

1660
01:11:34,333 --> 01:11:35,333
I CAN'T DO THAT, INDIGO.

1661
01:11:35,378 --> 01:11:36,378
LET HIM GO!

1662
01:11:36,422 --> 01:11:37,815
MR. STROOPE.

1663
01:11:37,989 --> 01:11:39,730
PLEASE, PLEASE!

1664
01:11:39,904 --> 01:11:42,689
MASTER, DO IT FOR ME!

1665
01:11:42,863 --> 01:11:44,561
PLEASE, LET HIM GO.

1666
01:12:01,491 --> 01:12:02,274
THEY CAN'T BE STUPID ENOUGH

1667
01:12:02,448 --> 01:12:03,448
TO HIDE IN THE HOUSE.

1668
01:12:16,027 --> 01:12:17,115
WHAT?

1669
01:12:22,729 --> 01:12:23,948
DO SOMETHING.

1670
01:12:24,122 --> 01:12:25,906
PERFUME.

1671
01:12:26,080 --> 01:12:27,517
WE'RE GONNA SEARCH EVERY

1672
01:12:27,691 --> 01:12:28,953
ROAD AND FARM FROM HERE TO

1673
01:12:29,127 --> 01:12:30,998
NEWCASTLE UNTIL WE FIND THEM.

1674
01:12:31,172 --> 01:12:33,305
YES, SIR.

1675
01:12:57,851 --> 01:12:58,851
MAMA!

1676
01:12:58,939 --> 01:13:01,072
OH, MAMA!

1677
01:13:14,955 --> 01:13:17,871
KITCHEL?

1678
01:13:18,045 --> 01:13:18,829
KITCHEL, WHERE

1679
01:13:19,003 --> 01:13:20,918
ARE YOU?

1680
01:13:25,923 --> 01:13:27,490
WHAT HAPPENED TO YOU?

1681
01:13:27,664 --> 01:13:28,795
IT'S MINK.

1682
01:13:28,969 --> 01:13:30,049
HE CAME AFTER HIS DAUGHTER.

1683
01:13:35,149 --> 01:13:36,542
WE LEAVE AT FIRST LIGHT.

1684
01:13:36,716 --> 01:13:38,065
IT'S A TWO-DAY TRIP BY ROAD TO

1685
01:13:38,239 --> 01:13:38,849
POINT PLEASANT ON THE

1686
01:13:39,023 --> 01:13:40,590
OHIO RIVER.

1687
01:13:40,764 --> 01:13:42,026
ONCE YOU'RE THERE, YOU'LL BE

1688
01:13:42,200 --> 01:13:43,244
MET AND TAKEN ACROSS TO

1689
01:13:43,419 --> 01:13:46,291
THE OHIO SIDE AND SAFETY.

1690
01:13:46,465 --> 01:13:47,529
BUT THERE'S STILL 200 MILES

1691
01:13:47,553 --> 01:13:49,120
FROM PORT PLEASANT TO CANADA.

1692
01:13:49,294 --> 01:13:50,294
200 OF THE SWEETEST MILES

1693
01:13:50,338 --> 01:13:51,338
THIS SIDE OF HEAVEN, SIR.

1694
01:13:51,470 --> 01:13:52,470
SLAVE FOLK CALL IT

1695
01:13:52,558 --> 01:13:53,385
THE "FRONT PORCH OF

1696
01:13:53,559 --> 01:13:54,560
THE PROMISED LAND."

1697
01:13:54,734 --> 01:13:55,561
THE SLAVE-CATCHERS OF OHIO

1698
01:13:55,735 --> 01:13:56,344
ARE OUTNUMBERED 50 TO 1

1699
01:13:56,519 --> 01:13:57,737
BY OUR PEOPLE.

1700
01:13:57,911 --> 01:13:58,911
ONCE THAT BOAT GETS YOU

1701
01:13:59,043 --> 01:13:59,652
ACROSS THE RIVER, YOU'RE AS

1702
01:13:59,826 --> 01:14:00,826
GOOD AS HOME.

1703
01:14:03,134 --> 01:14:04,135
AND I DIDN'T FORGET

1704
01:14:04,309 --> 01:14:06,311
YOUR PROMISE, MAMA.

1705
01:14:06,485 --> 01:14:10,054
WHAT PROMISE, DEAR?

1706
01:14:10,228 --> 01:14:11,228
THAT GOD WOULD NEVER PUT

1707
01:14:11,359 --> 01:14:12,186
ME THROUGH MORE THAN

1708
01:14:12,360 --> 01:14:13,360
I COULD BEAR.

1709
01:14:15,755 --> 01:14:17,061
MARY, TELL ME ABOUT ELROI.

1710
01:14:20,456 --> 01:14:21,848
I KNOW HE'S NOT WHAT FATHER

1711
01:14:22,022 --> 01:14:24,895
WANTS FOR ME, BUT HE'S KIND

1712
01:14:25,069 --> 01:14:27,288
AND GENTLE, AND MORE OF A MAN

1713
01:14:27,463 --> 01:14:28,028
THAN ANY OF THOSE PRETENDERS

1714
01:14:28,202 --> 01:14:29,813
IN TORONTO.

1715
01:14:29,987 --> 01:14:32,903
AND DO YOU LOVE HIM?

1716
01:14:33,077 --> 01:14:33,773
HE RISKED HIS LIFE FOR ME,

1717
01:14:33,947 --> 01:14:36,341
MOTHER.

1718
01:14:36,515 --> 01:14:37,734
BUT DO YOU LOVE HIM?

1719
01:14:41,172 --> 01:14:42,608
WITH ALL MY HEART.

1720
01:14:46,046 --> 01:14:50,137
WELL, THEN, NOTHING ELSE

1721
01:14:50,311 --> 01:14:51,312
MATTERS, DOES IT?

1722
01:14:55,012 --> 01:14:56,143
ONE THING BOTHER ME,

1723
01:14:56,317 --> 01:14:58,842
PREACHER, IS IT SEEMS KIND OF

1724
01:14:59,016 --> 01:15:00,365
FOOL-HEADED TRAVELING BY DAY

1725
01:15:00,539 --> 01:15:01,279
WHEN EVERYBODY CAN SEE US.

1726
01:15:01,453 --> 01:15:03,977
ELROI, I COULDN'T

1727
01:15:04,151 --> 01:15:05,239
AGREE MORE.

1728
01:15:46,019 --> 01:15:47,019
NEWS TRAVELS FAST,

1729
01:15:47,151 --> 01:15:49,980
MR. JOHNSON.

1730
01:15:50,154 --> 01:15:51,372
IN MY BUSINESS, IT PAYS TO

1731
01:15:51,547 --> 01:15:52,587
HAVE AN EAR TO THE GROUND,

1732
01:15:52,635 --> 01:15:55,333
MR. CLAY.

1733
01:15:55,507 --> 01:15:57,857
I CAME TO OFFER YOU MY HELP.

1734
01:15:58,031 --> 01:15:59,293
I THINK MY MEN ARE

1735
01:15:59,467 --> 01:16:00,619
PERFECTLY CAPABLE OF TRACKING

1736
01:16:00,643 --> 01:16:02,122
DOWN OUR OWN.

1737
01:16:02,296 --> 01:16:03,428
WELL, I DON'T MEAN TO STICK

1738
01:16:03,602 --> 01:16:06,779
MY NOSE IN, BUT IT SEEMS YOUR

1739
01:16:06,953 --> 01:16:07,780
MEN ARE OUTSIDE WATERING

1740
01:16:07,954 --> 01:16:08,651
THEIR HORSES WHILE YOUR

1741
01:16:08,825 --> 01:16:09,477
SLAVES ARE MAKING

1742
01:16:09,652 --> 01:16:10,652
TRACKS NORTH.

1743
01:16:12,132 --> 01:16:13,132
HOW MUCH WOULD IT COST

1744
01:16:13,264 --> 01:16:14,831
TO BRING THEM BACK?

1745
01:16:15,005 --> 01:16:16,572
I'M A FAIR MAN.

1746
01:16:16,746 --> 01:16:19,749
1,000 FOR THE BOY,

1747
01:16:19,923 --> 01:16:21,577
2,000 FOR THE GIRL.

1748
01:16:21,751 --> 01:16:24,318
THAT'S ABSURD.

1749
01:16:24,492 --> 01:16:25,929
I COULD HAVE ANY SLAVE GIRL

1750
01:16:26,103 --> 01:16:27,321
I WANT FOR HALF THAT PRICE.

1751
01:16:27,495 --> 01:16:28,235
AH, BUT ANY SLAVE GIRL

1752
01:16:28,409 --> 01:16:29,106
WOULDN'T BE MARRIED,

1753
01:16:29,280 --> 01:16:30,280
NOW, WOULD SHE?

1754
01:16:36,200 --> 01:16:38,898
HALF NOW, HALF WHEN YOU

1755
01:16:39,072 --> 01:16:40,117
BRING THEM BACK.

1756
01:16:51,041 --> 01:16:51,694
I'll NEED TO TALK TO.

1757
01:16:51,868 --> 01:16:52,868
THE BOY'S MAMA.

1758
01:16:59,658 --> 01:17:02,705
MR. JOHNSON, WHAT'S YOUR

1759
01:17:02,879 --> 01:17:04,576
INTEREST IN MARY?

1760
01:17:04,750 --> 01:17:06,883
SURELY IT'S NOT JUST THE MONEY.

1761
01:17:07,057 --> 01:17:08,754
YOUR MRS. CARBERRY AND THE

1762
01:17:08,928 --> 01:17:09,581
COLORED SHE TRAVELS WITH ARE

1763
01:17:09,755 --> 01:17:10,887
SLAVE RUNNERS.

1764
01:17:11,061 --> 01:17:12,141
WE'VE CROSSED PATHS BEFORE.

1765
01:17:12,192 --> 01:17:13,019
I DON'T WANT THEM TO HAVE

1766
01:17:13,193 --> 01:17:14,193
THE LAST WORD WHERE

1767
01:17:14,281 --> 01:17:15,805
THE CONCERNED.

1768
01:17:15,979 --> 01:17:18,895
GOOD DAY, MR. CLAY.

1769
01:17:19,069 --> 01:17:20,723
MA'AM.

1770
01:17:28,469 --> 01:17:30,907
SHERMAN, IF YOU'RE INCAPABLE

1771
01:17:31,081 --> 01:17:31,734
OF LOVING ME, AT LEAST LET ME

1772
01:17:31,908 --> 01:17:32,908
KEEP MY DIGNITY.

1773
01:17:32,996 --> 01:17:33,997
LET THE GIRL GO.

1774
01:17:38,349 --> 01:17:40,177
YOU'RE PATHETIC.

1775
01:17:51,579 --> 01:17:52,842
JUST TELL ME WHO HELPED

1776
01:17:53,016 --> 01:17:53,756
THEM ESCAPE, MAMA, AND WE'LL

1777
01:17:53,930 --> 01:17:54,930
LEAVE YOU IN PEACE.

1778
01:17:57,150 --> 01:18:00,719
CAN'T NOBODY GIVE ME PEACE

1779
01:18:00,893 --> 01:18:02,068
BUT MY LORD.

1780
01:18:07,378 --> 01:18:09,293
YOU IDIOT.

1781
01:18:09,467 --> 01:18:11,077
THIS IS CLAY'S MAMMY.

1782
01:18:11,251 --> 01:18:12,251
HE LOVES HER MORE THAN

1783
01:18:12,339 --> 01:18:13,339
ANYONE ON THIS PLACE.

1784
01:18:14,254 --> 01:18:15,254
HE TOLD ME I COULD

1785
01:18:15,299 --> 01:18:16,299
QUESTION HER.

1786
01:18:16,387 --> 01:18:16,996
WELL, HE DIDN'T SAY YOU

1787
01:18:17,170 --> 01:18:17,867
COULD DO THAT.

1788
01:18:18,041 --> 01:18:19,041
NOW, GET OUT OF HERE!

1789
01:18:28,834 --> 01:18:31,141
OH, MY.

1790
01:18:31,315 --> 01:18:33,491
KITCHEL, I BELIEVE IT'S TIME

1791
01:18:33,665 --> 01:18:34,274
TO PAY A VISIT TO THE LOCAL

1792
01:18:34,448 --> 01:18:36,712
FOOT-WASHERS.

1793
01:18:36,886 --> 01:18:37,669
ONE WAY OR ANOTHER,

1794
01:18:37,843 --> 01:18:38,843
THEY ALWAYS HAVE THEIR

1795
01:18:38,931 --> 01:18:39,931
FINGERS IN THE STEW.

1796
01:18:40,063 --> 01:18:41,063
IF YOU'RE TALKING ABOUT

1797
01:18:41,194 --> 01:18:42,215
THE QUAKER PREACHER, HE AIN'T

1798
01:18:42,239 --> 01:18:43,457
GONNA DO YOU NO GOOD.

1799
01:18:43,631 --> 01:18:44,458
WE STOPPED HIM ON THE ROAD

1800
01:18:44,632 --> 01:18:45,459
THIS MORNING, AND HE WAS

1801
01:18:45,633 --> 01:18:46,286
MAKING A FUNERAL OUT TO

1802
01:18:46,460 --> 01:18:48,332
POINT PLEASANT.

1803
01:18:48,506 --> 01:18:49,115
COME ON, THEY GOT A FULL DAY

1804
01:18:49,289 --> 01:18:50,289
RIDE ON US.

1805
01:18:53,076 --> 01:18:54,156
I DIDN'T GET THERE UNTIL IT

1806
01:18:54,294 --> 01:18:55,992
WAS TOO LATE, MR. CLAY.

1807
01:18:56,166 --> 01:18:57,341
JOHNSON BEAT HER BAD.

1808
01:18:57,515 --> 01:18:58,690
SHE'S ASKING FOR YOU.

1809
01:19:04,609 --> 01:19:05,609
LEAVE US.

1810
01:19:16,099 --> 01:19:19,406
INDIGO, IT'S ME, SHERMAN.

1811
01:19:19,580 --> 01:19:22,714
I'M HERE.

1812
01:19:22,888 --> 01:19:25,630
MASSA, YOU GONNA GIVE

1813
01:19:25,804 --> 01:19:27,806
OLD INDIGO HER WISH?

1814
01:19:27,980 --> 01:19:31,810
YOU GONNA LET MY BOY GO?

1815
01:19:31,984 --> 01:19:34,726
I'M SORRY, INDIGO.

1816
01:19:34,900 --> 01:19:38,643
I'M JUST SO SORRY.

1817
01:19:40,297 --> 01:19:42,342
DON'T CRY, LITTLE MASSA.

1818
01:19:42,516 --> 01:19:43,779
OLD INDIGO GOT A SWEET

1819
01:19:43,953 --> 01:19:44,953
CORN CAKE FOR YOU.

1820
01:19:47,043 --> 01:19:48,566
YOU RUN ON OUTSIDE AND PLAY

1821
01:19:48,740 --> 01:19:50,046
WITH MY ELROI.

1822
01:19:50,220 --> 01:19:54,093
HE A GOOD BOY.

1823
01:19:54,267 --> 01:19:57,183
YOU AND HIM GONNA BE FINE

1824
01:19:57,357 --> 01:20:00,621
YOUNG MEN SOMEDAY.

1825
01:20:01,753 --> 01:20:02,753
INDIGO.

1826
01:20:04,190 --> 01:20:06,192
MAMMY.

1827
01:20:08,107 --> 01:20:09,326
MAMMY.

1828
01:20:20,946 --> 01:20:21,773
YOU SHOULD TRY TO REST,

1829
01:20:21,947 --> 01:20:23,601
MY LOVE.

1830
01:20:23,775 --> 01:20:26,952
WE STILL HAVE A LONG WAY TO GO.

1831
01:20:27,126 --> 01:20:27,910
I REMEMBER THE DAY

1832
01:20:28,084 --> 01:20:29,433
SHE WAS BORN.

1833
01:20:29,607 --> 01:20:33,002
I SWORE I'D ALWAYS PROTECT HER.

1834
01:20:33,176 --> 01:20:34,655
WELL, WE'LL LET ELROI

1835
01:20:34,830 --> 01:20:37,267
DO THAT NOW.

1836
01:20:37,441 --> 01:20:38,485
EVERYTHING'S CHANGED,

1837
01:20:38,659 --> 01:20:41,010
ELIZABETH.

1838
01:20:41,184 --> 01:20:44,578
I LOOK AT MYSELF AND DON'T EVEN

1839
01:20:44,752 --> 01:20:45,752
KNOW HOW I AM.

1840
01:20:48,408 --> 01:20:50,149
WELL, I KNOW WHO YOU ARE.

1841
01:21:00,594 --> 01:21:03,119
POINT PLEASANT UP AHEAD.

1842
01:21:03,293 --> 01:21:04,381
THE BOAT SHOULD BE WAITING

1843
01:21:04,555 --> 01:21:05,595
FOR YOU ABOUT A MILE NORTH

1844
01:21:05,686 --> 01:21:06,470
OF THERE, BEHIND A THICKET

1845
01:21:06,644 --> 01:21:07,644
OF TREES.

1846
01:21:10,822 --> 01:21:13,085
WHOA.

1847
01:21:13,259 --> 01:21:15,740
WE GOT A ROAD BLOCK.

1848
01:21:15,914 --> 01:21:16,567
AND THIS IS THE ONLY WAY

1849
01:21:16,741 --> 01:21:17,741
THROUGH.

1850
01:21:20,353 --> 01:21:22,225
GOOD DAY, NEIGHBORS.

1851
01:21:22,399 --> 01:21:23,008
VIRGINIA STATE MARSHAL,

1852
01:21:23,182 --> 01:21:24,182
REVEREND.

1853
01:21:24,270 --> 01:21:25,010
WHERE ARE YOU HEADED

1854
01:21:25,184 --> 01:21:25,793
WITH THOSE CASKETS?

1855
01:21:25,968 --> 01:21:27,012
MIDDLEPORT.

1856
01:21:27,186 --> 01:21:27,839
I'M TAKING THEM FOR BURIAL

1857
01:21:28,013 --> 01:21:29,013
ON FAMILY LAND.

1858
01:21:29,101 --> 01:21:30,973
WHAT'S THE PROBLEM?

1859
01:21:31,147 --> 01:21:32,800
SLAVE ESCAPE, TWO DAYS AGO

1860
01:21:32,975 --> 01:21:34,063
OUTSIDE OF NEWCASTLE.

1861
01:21:34,237 --> 01:21:35,803
A MAN, A WOMAN,

1862
01:21:35,978 --> 01:21:38,371
TWO SLAVE-RUNNERS.

1863
01:21:38,545 --> 01:21:39,329
I'M SURE THAT DOESN'T

1864
01:21:39,503 --> 01:21:40,286
TROUBLE A GOOD QUAKER

1865
01:21:40,460 --> 01:21:41,505
LIKE YOURSELF, THOUGH.

1866
01:21:41,679 --> 01:21:43,855
MY FAITH FORBIDS ME TO LIE,

1867
01:21:44,029 --> 01:21:45,248
SIR, SO I CAN HONESTLY SAY,

1868
01:21:45,422 --> 01:21:47,903
I WISH YOUR RUNAWAYS WELL.

1869
01:21:48,077 --> 01:21:49,295
REVEREND, ARE YOU HIDING

1870
01:21:49,469 --> 01:21:50,601
FUGITIVES IN THOSE CASKETS?

1871
01:21:50,775 --> 01:21:52,081
FUGITIVES? NO.

1872
01:21:52,255 --> 01:21:53,295
WELL, YOU DON'T MIND IF WE

1873
01:21:53,343 --> 01:21:54,039
TAKE A LOOK, THEN, SEEING AS

1874
01:21:54,213 --> 01:21:55,301
YOU'RE NOT A LIAR.

1875
01:21:55,475 --> 01:21:57,086
DEFILING THE DEAD IS

1876
01:21:57,260 --> 01:21:58,478
AN ABOMINATION BEFORE GOD.

1877
01:21:58,652 --> 01:22:00,654
HEH HEH!

1878
01:22:00,828 --> 01:22:05,485
KITCHEL, OPEN THEM.

1879
01:22:05,659 --> 01:22:06,779
I'll JUST HAVE TO LIVE WITH.

1880
01:22:06,834 --> 01:22:07,834
MY CONSCIENCE.

1881
01:22:25,331 --> 01:22:27,333
OH, GOOD.

1882
01:22:27,507 --> 01:22:29,074
PLEASE ACCEPT OUR

1883
01:22:29,248 --> 01:22:30,249
APOLOGIES, REVEREND.

1884
01:22:30,423 --> 01:22:31,555
THIS WAS A TERRIBLE MISTAKE.

1885
01:22:31,729 --> 01:22:33,035
CLOSE UP THAT COFFIN SO THE

1886
01:22:33,209 --> 01:22:33,905
REVEREND CAN BE ON HIS WAY.

1887
01:22:34,079 --> 01:22:35,211
WAIT.

1888
01:22:40,956 --> 01:22:41,478
JOHNSON, WHAT ARE

1889
01:22:41,652 --> 01:22:42,652
YOU DOING?

1890
01:22:49,007 --> 01:22:49,747
THIS WAGON'S GOT A FALSE

1891
01:22:49,921 --> 01:22:51,053
BOTTOM, MARSHAL.

1892
01:22:53,969 --> 01:22:54,969
WHERE ARE THEY?

1893
01:22:58,190 --> 01:22:59,254
AIDING AND ABETTING RUNAWAY

1894
01:22:59,278 --> 01:23:00,497
SLAVES IS A SERIOUS OFFENSE

1895
01:23:00,671 --> 01:23:02,238
AGAINST THE VIRGINIA CODE, SIR.

1896
01:23:02,412 --> 01:23:03,717
I ANSWER TO A HIGHER LAW

1897
01:23:03,891 --> 01:23:06,068
THAN THE VIRGINIA CODE.

1898
01:23:07,939 --> 01:23:09,158
THEY'RE HERE.

1899
01:23:09,332 --> 01:23:10,072
FIND THEM.

1900
01:23:10,246 --> 01:23:11,246
COME ON.

1901
01:23:29,743 --> 01:23:31,441
HYAH, COME ON.

1902
01:23:36,011 --> 01:23:37,099
GET UP, HYAH, GET UP.

1903
01:23:47,805 --> 01:23:49,372
HYAH, HYAH, HYAH!

1904
01:24:02,776 --> 01:24:03,776
GET UP, GET UP!

1905
01:24:11,002 --> 01:24:12,003
COME ON!

1906
01:24:25,582 --> 01:24:26,582
OH!

1907
01:24:31,066 --> 01:24:32,502
MARY.

1908
01:24:32,676 --> 01:24:33,459
YOU STAY HERE, MA'AM.

1909
01:24:33,633 --> 01:24:36,723
NO! MARY!

1910
01:24:39,552 --> 01:24:42,164
JAMES, IT'S JOHNSON!

1911
01:24:44,035 --> 01:24:45,993
MARY!

1912
01:24:46,168 --> 01:24:47,256
GET OUT OF HERE.

1913
01:24:47,430 --> 01:24:48,735
GET TO THE RIVER.

1914
01:24:48,909 --> 01:24:49,475
NO, JAMES!

1915
01:24:49,649 --> 01:24:52,435
MARY!

1916
01:24:52,609 --> 01:24:54,001
I'll TAKE MINK AND THE GIRL.

1917
01:24:54,176 --> 01:24:55,176
HYAH, HYAH, HYAH!

1918
01:25:17,286 --> 01:25:18,069
THERE'S SUPPOSED TO BE FOUR.

1919
01:25:18,243 --> 01:25:18,939
WHERE ARE THE OTHERS?

1920
01:25:19,114 --> 01:25:19,853
THEY'RE COMING.

1921
01:25:20,027 --> 01:25:20,637
NOBODY'S GETTING

1922
01:25:20,811 --> 01:25:22,682
ON NO BOAT.

1923
01:25:22,856 --> 01:25:23,553
I'M TAKING THAT

1924
01:25:23,727 --> 01:25:24,902
RUNAWAY BACK.

1925
01:25:26,164 --> 01:25:27,164
HOLD ON.

1926
01:25:32,214 --> 01:25:34,129
I DON'T THINK SO, NEIGHBOR.

1927
01:25:51,363 --> 01:25:52,582
IT'S A SHAME IT HAS TO END

1928
01:25:52,756 --> 01:25:54,105
THIS WAY, JAMES.

1929
01:25:54,279 --> 01:25:55,454
YOU'RE THE ONLY

1930
01:25:55,628 --> 01:25:56,281
PERSON I EVER FELT AN OUNCE

1931
01:25:56,455 --> 01:25:57,455
OF RESPECT FOR.

1932
01:25:59,850 --> 01:26:01,808
NOW, GET UP HERE.

1933
01:26:01,982 --> 01:26:03,549
I'M TAKING MY WIFE BACK

1934
01:26:03,723 --> 01:26:04,898
TO VIRGINIA.

1935
01:26:05,072 --> 01:26:07,249
GET UP HERE!

1936
01:26:20,610 --> 01:26:21,915
STEP ASIDE.

1937
01:26:22,089 --> 01:26:23,178
NO!

1938
01:26:27,965 --> 01:26:31,577
YOU... LOW-DOWN... DIRTY...

1939
01:26:31,751 --> 01:26:34,145
SON OF A!

1940
01:26:35,842 --> 01:26:39,324
DADDY! DADDY, STOP.

1941
01:26:39,498 --> 01:26:40,498
STOP!

1942
01:26:46,810 --> 01:26:47,810
NOT WORTH IT.

1943
01:26:56,907 --> 01:26:58,169
LIKE I SAID, BOY...

1944
01:27:04,915 --> 01:27:05,915
I'M TAKING HER BACK.

1945
01:27:10,007 --> 01:27:10,573
WELL, YOU'RE GONNA HAVE

1946
01:27:10,747 --> 01:27:11,748
TO KILL ME.

1947
01:27:11,922 --> 01:27:12,962
'CAUSE THIS "BOY" WILL DIE

1948
01:27:13,010 --> 01:27:13,619
A WHOLE LOT BETTER MAN THAN

1949
01:27:13,793 --> 01:27:14,577
YOU EVER WERE.

1950
01:27:14,751 --> 01:27:15,751
COME ON.

1951
01:27:26,806 --> 01:27:28,112
I'll BE.

1952
01:27:39,863 --> 01:27:40,907
COME ON, BABY,

1953
01:27:41,081 --> 01:27:42,996
LET'S GO HOME.

1954
01:27:43,170 --> 01:27:45,216
LET'S GO, COME ON.

1955
01:27:56,271 --> 01:27:58,882
OH, MAMA.

1956
01:27:59,056 --> 01:28:00,100
EVERYBODY IN THE BOAT.

1957
01:28:00,275 --> 01:28:01,450
LET'S GO.

1958
01:28:01,624 --> 01:28:02,624
QUICKLY.